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The language of the post is Non-English.. only the script is in english. sorry for them,who cant read and understand it.
for reading in hindi log on to…http://chavannichap.blogspot.com
is post mein mandi ka matlab recession hai.waise ise market bhi samjh sakte hain.

yah ek nirdeshak ki sachchi kahani hai. sachchi kahaniyon men naam nahin dene ka rivaj hai. naam aa jaye, to kalayi khul jati hai. ek lihaj se aisa hona hi chahiye. kayi baar naam dene se kahani ke nayak ka nukasan ho jata hai. usake banate kaam bigadane lagate hain. ham bhi yahan nirdeshaka, star aur production house ke naam nahin denge.agar aapko lage ki aap is nirdeshak ko janate hain to uska naam bata den.mujhe koi pareshani nahin hogi.
rashtriya puraskar se sammanit ek yuva nirdeshak ko ek dhansu script mili. usne lekhak ke sath baith kar use antim roop diya. film bap-bete ki kahani thi. lihaja bap ke role …

The language of the post is Non-English.. only the script is in english. sorry for them,who cant read and understand it.
for reading in hindi log on to…http://chavannichap.blogspot.com

anurag kashyap ne pichhale dinon ftii,pune men dev di ki film adaptation ke bare men baat ki thi.yah post usi ki prastuti hai…

mujhe aisa lagata raha hai ki yah sharat babu ka sabase kamajor upanyas hai. sahitya ke lihaj se,lekin sabse jyada raw aur sabse jyada imaanadar bhi hai kahin na kahin. shayad woh tab tak paripakva nahin huye the, jab unhonne devdas likhi thi. devdas maine bahut pahle padhi thi, jab main college mein tha. uske baad maine kabhi devdas nahin padhi. film banane se pahle bhi nahin padhi. kai cheejen aapako yaad rah jati hain. aur kai cheejen utni yaad nahin rahtin. main janaboojh kar unse pare rahna chahata tha. abhay deol ne ek bar futaball match dekhte huye mujhe ek …

The language of the post is Non-English.. only the script is in english. sorry for them,who cant read and understand it.
for reading in hindi log on to…http://chavannichap.blogspot.com

Vishal Bharadwaj ne pichhale dinon poona me aayojit seminar men apani baten kahin. in baton me unaki eemanadari jhalakati hai. ve sahity aur sinema ke rishte aur film men natak ke roopantaran par apani filmon ke sandarbh men bol rahe the. ve poona film instityoot men aamantrit the.

jo chaahate ho so kahate ho, chup rahane ki lazzat kya jaano
ye raz-e-muhabbat hai pyaare, tum raz-e-muhabbat kya jaano
alfaz kahaan se laoon main chhale ki tapak samajhaane ko
ikraar-e-muhabbat karate ho, izhaar-e-muhabbat kya jaano

kahana nahin aata mujhe, bolana aata hai.

meri chup se galatafahamiyan kuchh aur bhi badhin
vo bhi suna usane, jo mainne kaha nahin

mujhe laga ki chup raha to bahut kuchh sun liya jayega. to ab jo kah raha hoon, usamen vah sun lijiye jo main nahin kah …

8×10=0

The language of the post is Non-English.. only the script is in english. sorry for them,who cant read and understand it.

for reading in hindi log on to…http://chavannichap.blogspot.com

6 march ko dev d ko release hue mahina ho jayega.film industry aur industry ke bahar logon ko tajjub ho raha hai ki aisa kaise ho gaya.unhen yah ek chamatkaar hi lag raha hai.film mahine bhar ke baad bhi theatres mein tiki hui hai.kyon aur kaise?is par pandit bahas aur vimarsh karte rahenge.anurag kashyap ne dev d se jo hasil kiya hai,woh unke generations ke filmmakers ke liye bahut hi utsahjanak hai.ek umeed majboot hui hai.dev d ke baare main maine yah sab mahina bhar pahle likha tha,lekin mujhe aaj bhi upyogi lag raha hai.

ghise-pite formula aur rang-dhang men ek jaisi lagane vali hindi filmon se ukata chuke darshakon ko dev d rahat de sakati hai. hindi filmon men shilp aur sajavat men …

The language of the post is Non-English.. only the script is in english. sorry for them,who cant read and understand it.

for reading in hindi log on to…http://chavannichap.blogspot.com
(YAH BAATCHEET GHAJINI KEE RELEASE KE PAHLE KEE GAYI THI)

apni nayi film ghajini ke bare mein aamir khan kahate hain ki yah action thriller film hai, jo audience ko bilkul alag tarah ka anubhav degi. aamir kahate hain ki audience ko meri filmon ko lekar khas jigyasha rahti hai,isliye unhen hamari film se ummid bhi adhik rahti hai. aamir ne ghajini sahit apne filmi jeevan aur nayi yojanaon par khulakar udgar vyakt kiye.

-kaha ja raha hai ki aamir khan ne ‘ghajini’ ke prachar men baji mar li hai. yah kitana sachet prayas hai?
-jahan tak baji marane ki baat hai to usake liye film release hone dijiye. han, hype zaroor hai. woh shayad isliye hai ki meri filmen sal men ek dafa aati hain …

The language of the post is Non-English.. only the script is in english. sorry for them,who cant read and understand it.

for reading in hindi log on to…http://chavannichap.blogspot.com

lagabhag 20 saal pahale yash chopra ke bade bete aditya chopra ne tay kiya ki ve apane pita ki tarah hi film nirdeshan men kadam rakhenge. yash chopra ‘chandani’ ke nirdeshan ki taiyari men the. aditya ke utsah ko dekhate huye yash chopra ne unhen film contienuty, costumes aur artists ko set par bulane ki jimmedari de di. shooting men shamil hone ke pahle aditya chopra ne bharatiya filmmakers men raj kapoor, vijay anand, raj khosala, manoj kumar, bimal ray, b r chopra aur apane pita yash chopra ki sari filmen silsilevar tarike se dekh li thin. un dinon ve theatres men jakar first day first show dekhane ke alava notes bhi lete the aur baad mein vastavik sthiti se unaki tulna karate …

81st academy awards ke liye foreign language film category ki list aa gayi hai.is saal academey ne 96 countries ko invitation bheja tha.unmein se 67 ne apni entry bheji hai.jordan ko pahli baar shamil kiya gaya hai.foreign film language category mein is baar sabse adhik entry gayi hai.baharat se aamir khan ki taare zameen par bheji gayi hai.kya lagta hai?kya taare zameen par ant tak tik paayegi.ia baar iran ke majid majidi ki film the song of sparrows bhi hai.pichhle saal israel,kazakistan,russia,poland aur austria ki films nomination tak pahunchi thin aur austria ki counterfeiters ko award mila tha.
is baar ki list…..
The 2008 submissions are:

Afghanistan, “Opium War,” Siddiq Barmak, director;

Albania, “The Sorrow of Mrs. Schneider,” Piro Milkani and Eno Milkani, directors;

Algeria, “Masquerades,” Lyes Salem, director;

Argentina, “Lion’s Den,” Pablo Trapero, director;

Austria, “Revanche,” Gotz Spielmann, director;

Azerbaijan, “Fortress,” Shamil Nacafzada, director;

Bangladesh, “Aha!,” Enamul Karim Nirjhar, director;

Belgium, “Eldorado,” Bouli Lanners, director;

Bosnia and Herzegovina, “Snow,” …

The language of the post is Non-English.. only the script is in english.

khoon khaulane ka muhavara aapne jaroor suna hoga, dekha nahin hoga. singh is kinng men aap ise dekh sakate hain.

yek murgi ko pakadane ke pichhe poore ganv ko nasht-dhvast karane ka drishya bhi sinh is king men hai.

australia jane vale yatri galat bordig pas lekar egypt pahunch sakate hain aur vahan ke airport adhikari un yatriyon ko shahar ghoomane ke liye ek din ka visa bhi de dete hain. sinh is king men yah mumakin hai.

helmet ki tarah ghade ko pahanakar pujari bagair doolha-dulhan ko dekhe shadi ke mantrochchar kare aur kisi aur ki shadi kara de….yah sinh is king jaisi film men hi sanbhav hai.

sabhi kah rahe hain ki buddhi ko tak par rakh den aur singh is king ke nonsense drama ka aanand len. logic bhool jayen aur akshay kumar evan kaitarina kaif ke majic …

9 july ko Guru Dutt ka janmadin hai.mumkin hai patra-patrikaon,news chaneels aur filmy channels par unke sambandh mein apne-apne anaz mein har koi kuchh na kuchh likhe,bole aur bataye.aaj unhen aur unki filmon ko yaad karte hue sabhi ek hi raag alap rahe honge.bagair unki films dekhe,samjhe aur niji taur par aatmasaat kiye hi har koi tarif kar raha hota hai.waqt aa gaya hai ki ham Guru Dutt ka sahi moolyankan karen aur aaj ke sandarbh mein dekhen ki woh kitne prasangik aur mahtvapoorn hain.

main yahan unka likha ek lekh post kar raha hoon.yah lekh unhonne Screen ke liye likha tha.yah lekh mujhe Shashikant Kinikar ki pustak ‘Guru Dutt 1925-1964′ mein mila.pustak mein koi tarikh nahin di gayi hai,lekin lekh mein aaye dev anand aur geeta bali ke zikra se lagta hai ki 1955-56 ke aaspaas likha gaya hoga.is pustak mein unke aur bhi do lekh hain.agar koi unhen yahan …

The language of the post is Non-English.. only the script is in english.

suna aur padha ki kuchh logon ko ye film bahut buri lagi.kisi bhi film ko aap uske samay se kaat kar dekhenge aur kuchh khojte rahenge to amooman nirasha hogi.films bhi doston ki tarah hoti hain,unhen unki khoobiyon aur kamiyon ke saath samjhiye to jyada anand aayega.haan,agar koi hisab theek karna ho to chashma laga lena galat nahin hai.
is review ko hindi mein padhna chahte hain to login karen:http://chavannichap.blogspot.com/

kuchh naya nahin, fir bhi novelty hai

realistic andaj men bani entertaining film hai jane tu ya jane na. ek aisi prem kahani jo hamare gali-mohallon aur builings mein aaye din sunaee padati hai.
jane too… ki sanrachana dekhen. is film se ek bhi kiradar ko aap khisaka nahin sakate. kahani ka aisa pusht tana-bana hai ki ek soot bhi idhar se udhar nahin kiya ja sakata.aapne ek kirdar idhar khiskaya …

The language of the post is Non-English.. only the script is in english.

do hafte pahle pakistan jaane ka mauka mila.mujhe lahore jana tha.wahan meri beti vidha saumya beackon house national university mein independent studen ke taur pa saarc fellowship ke tahat padh rahi hai.bahana us se milne ka tha ya bahana pakistan dekhne ka?mujhe lagta hai ki donon bahanon ne mil kar yah trip mumkin kiya.
filmon mein interest hone ki wajah main janna chahta tha ki filhaal lahore ki film industry ke kya haal haai.wahan ke evernew studio mein jana hua.wahan koi shooting nahin ho rahi thi. tv serials,jise pakistan mein tv drama kaha jata hai,ki dubbing ke liye aaye kuchh tv stars se albatta mulaqat hui.ek director ne bataya ki saal mein do-teen filmon ki hi shooting ho pati hai,jinmein se do punjabi ki hoti hain.ek zamane mein gulzar rahe multan road par aaj bhi studios hain,lekin wahan filmi …

Editor Comments : The language of the post is Non-English.. only the script is in english.

Hidayat-mobile band kar den, sansen tham len, kan khule rakhen aur palaken na jhukane den. jodha akabar dekhane ke liye jaroori hai ki aap dil-o-dimag se cinemaghar men hon aur aapaki nazar ektak parde par ho.

sachmuch lambe arse men itana bhavya, is kadar aakarshaka, gahari anubhooti ka prema, rishton ki aisi reshedari aur aitihasik tathyon par gadhi koee film aapane nahin dekhi hogi. yah film aapaki poori tavajjo chahati hai. is dharana ko dimag se nikal den ki filmon ka lanba hona koee durgun hai. jodha akabar bharapoor manoranjan karati hai. aapako mauka nahin deti ki aap vichalit hon aur apani ghadi dekhne lagen.

jaisa ki amitabh bachchan ne film ke ant men kaha hai- yah kahani hai jodha akabar ki. inki mohabbat ki misaal nahin di jati aur na hi inke pyar ko yaad …

bombay to bangkok ke asafal hone ka poora shreya nagesh kukunoor ke hi mathe hoga.woh akeley kasoorwar hain.is film ke liye subhash ghai ko doshi nahi thahraya ja sakta.iqbal aur dor jaisi filmon ke baad bomabay to bangkok jaisi kamjor film ke baare mein nahi socha ja sakta tha.kya ho gaya nagesh ko?kya unki pahle ki films fluke thin.

gaur karen to nagesh koi bade aur significant filmmaker nahin hain,unki hydearabad blues sadharan film thi.vastav mein yah aisi mediocrity ka daur hai ki koi thoda bhi behtar kaam kare to ham use sir par bitha lete hain aur umeed karte hain ki chalo,ek banda mila.ab yah achchhi films banayega.tarifon aur phir mil rahe paison se uska dimag aisa ghoomta hai ki woh nagesh kukunoor ho jata hai.kauaa chala hans kee chal,aakhir bhoola apni chal.dar lag raha hai ki nagesh ki agli film kaisi hogi?kya woh iqbal ya dor jaisi sarahna hasil …

With Khoya Khoya Chand, I want to make a film about the complexity of being in this medium. A film about anyone who is in a difficult place trying to do what they want to do. About anyone who wants to invent themselves in a new place. So I decide to tell the story of a young girl, an actress, the beginning of her life, first fulfilling other people’s notion of her, falling in control of the superstar of that time, and this writer who comes from Lucknow, also from a complicated background who is struggling with his own feudal past and the relationship with his father which is a mess and then coming here.

upar ki panktiyan sudhir mishra ki hain.unhone 20 august 2007 ke post mein spasht likha tha ki woh khoya khoya chand kyon bana rahe hain?agar ham unki baton par gaur kare to adhik udas ya …

yah sawal maine anurag kashyap aur imtiyaz ali donon se poochha.mujhe koi achambhaa nahi hua jab donon ne kaha ki ham saath-saath aa rahe hain.

anurag ne spasht kaha ki imtiyaz mere bahut purane dost hain.ham ek-doosre ke saath sabhi tarah ki baaten karten hai.mujhe maloom rahta hai ki iimtiyaz kya likh rahe hain.main unki tarah ki films nahi bana sakta aur woh meri tarah ki film ke baare mein nahi sochte,lekin ham donon khulkar ek-doosre ki script ki cheed-faad kar sakte hain.mujhe kuch pasand nahi hai to main bagair kisi jhijhak ke unhe bata sakta hoon.imtiyaz ki film JAB WE MET ki kafi charcha ho rahi hai.main khush hoon.mujhe is baat se koi dikkata nahi hai ki ham donon ki films ek hi din aa rahi hain.

anurag ne aage kaha ki hamare aage-peechhe badi-badi films aa rahi hain.phir bhi mujhe chinta nahi hai.is baar to dekhiyega ki hamlogon ki jeet …

15 september…sham ke 8 baje hain.mumbai ke ek 5 star hotel mein SAAWARIYA(SAANWARIYA?) ka music release function hai.hindi film industry ke jaankaron ko maloom hai ki music release vastav mein tamashebaaji hai.is sham ko film unit ke log mauj-masti karte hain aur wahan media ke logon ko bhi bula liya jaata hai.is shaam ko hi film ki pahli jhalak milti hai.hindi film industry mein muhoort aur music release ka khas mahtva hai.
to shaniwaar ki sham ko media ,khaskar tv media ke log apne camers ke saath tay samay ke pahle se position lekar khade the.samay badhta ja raha tha,lekin programme shuru hone ki koi harkat nazar nahi aa rahi thi.baad mein pata chal ki KRSHNA JI ke aane mein deri hone ke karan sabhi ko intezaar karna pade.baharhaal woh aayin,pairee-painaa hua aur MANDIRA BEDI ne sham ki shuruaat ki.tab tak 10.30 baj chuke the.
SAAWARIYA sanjay leela bhansali ki film hai.is …

HINDI FILMON MEIN HERO KE ROLE MUSLIM ACTORS KARTE RAHE HAIN AUR AISA SANYOG RAHA HAI KI UNMEIN SE JYADATAR BEHAD POPULAR BHI RAHE HAIN.YUASUF KHAN(DILIP KUMAR) SE LEKAR SHAHRUKH KHAN TAK HAM IS TRADITION AUR TREND KO DEKH SAKTE HAIN.LEKIN AZADI KE TURANT BAAD KOI SOCIAL PRESSURE RAHA HOGA KI ACTORS AUR ACTRESSES SABHI KO APNA NAAM CHIPA KAR HINDU NAAM RAKHNA PADA.MADHUBALA,MEENA KUMARI AUR DILIP KUMAR BADE EXAMPLES HAIN.MUSLIM DIRECTORS BHI MUSLIM BACKDROP KI FILMEN BANANE SE BACHTE RAHE.

HINDI FILMON KA BHARTIYA SAMAJ SE ITNA HI RISHTA HAI KI ISKE KIRDAAR DEKHNE MEIN BHARTIYA LAGTE HAIN AUR AMOOMAN HINDI BOLTE HAIN.AAJKAL ENGLISH BOLNE KA CHALAN BADH RAHA HAI.BAHARHAAL,HINDI FILMS MEIN KISEE SHAHAR KO MARK NAHI KIYA JA SAKTA.JYADATAR FILMON MEIN NA JAANE KAUN SA SHAHAR HOTA HAI?

JYADATAR HINDI FILMON KE PROTAGANIST AUR ANYA PRAMUKH KIRDAAR HINDU HI HOTE HAIN.UNKE NAAM HINDU PARIVAARON MEIN PRACHLIT NAAM HOTE HAIN.KABHI …

PICHLE DINON PANIPAT SE GUJARNE KA MAUKA MILA.PFC KE JO READERS PANIPAT KE BAARE MEIN NAHI JANTE,UNKI JAANKAARI KE LIYE PANIPAT MEIN 1528,1556 AUR 1761 MEIN TEEN BADE YUDH HUE.USKE BAAD BHARAT(INDIA) KI GEOGRAPHY AUR POLITICAL HISTORY BADAL GAYI.
PANIPAT ABHI HARYANA KA PRAMUKH SHAHAR HAI.

BAHARHAAL,PANIPAT KI SADKON,CHURAHON AUR DUKANON PAR LAGE FILMON KE POSTERS NE MERA DHYAAN KHINCHA.MARD-AURAT KI KAMUK TASVEEREN IN POSTERS PAR THIN.FILMON KE NAAM THE-HASEEN RAATEN,MASTANI GIRLS,NADAN TITLIYAN,GARAM HONTH,PYASI MOHABBAT,AJNABI SAAYA…EK DOST NE BATAYA KI ZAROORI NAHI KI SARI FILMEN HINDI MEIN BANI HON.YEH DUB FILMEN BHI HO SAKTI HAIN.GAUR SE POSTERS KE CHEHRE DEKHE TO UNME SE KUCH SACHMUCH VIDESHI THE.

SIRF PANIPAT HI KYON,MUMBAI AUR DELHI SE LEKAR HAR CHHOTE,MAJHOLE AUR BADE SHAHRON MEIN KUCH THEATRES MEIN AISI HI FILMEN CHALTI HAIN.THEATRE KE MALIK AUR DARSHAK DONO KHUSH RAHTE HAIN.

-PICHLE SAAL 20-25 AISI FILMEN BANI THIN.YEH TO HINDI MEIN BANI AUR CENSORED FILMEN THIN.INKE ALAWA AUR …

finally the award list has come out.
for your information and discussion ….

best feature film-kalpurush,dir.- budhdeo dasgupta
first film of a director-parineeta,dir-pradeep sarkar
popular film-rang de basanti,dir-rakesh mehra
children film-blue umbrella.dir-vishal bhardwaj
direction-rahul dholkia for parzania
best actor-amitabh bachchan-black
best actress-sarika-parzania
best supporting actor-naseeruddin shah-iqbal
best supporting actress-urvashi-achhuvinte amma for
best child-sai kumar-bommalata
male play back singer-naresh iyer-rang de basanti,ru-ba-ru
female playback singer-shreya ghoshal-paheli,apne ansoo peene ke liye
best cinamatography-madhu ambat-sringaram
best screenplay-apharan-prakash jha,sridhar raghvan,manoj tyagi
best audiography-nakul kamte-rang de basanti
best editing-p s bharathi-rang de basanti
art direction-c b more-taj mahal
best costume-anna singh(tajmahal) and savyasachi mukherji(black)
music direction-lalgudi jayraman-sringaram
spaecial jury award-anupam kher-maine gandhi ko nahi mara
best chorography-saroj khan-sringaram

these are some of the awards…

we are celebrating the 60th anniversary of independent INDIA.on this occasion we can make a list of 60 hindi films.whatever may be your criteria for selection of films…just post your list.

my list

(without any special preferences)

1. awara raj kapoor
2.aradhana shakti samant
3.andaz mehboob khan
4.ek duje ke liye k balachander
5.ganga yamuna nitin bose
6.garam hawa …

KYA AAP DEBU KO JANTE HAIN?
DEBU…DIBYENDU BHATTACHARYA.
NSD GRADUATE OF 1997 BATCH.
MONSOON WEDDING KA LOTTERY…DIVYA DRISHTI KA JIVAN SAWANT..URF PROFFESOR KA AUTO DRIVER…AB TAK CHAPPAN KA NAZRUL…BLACK FRIDAY KA YEDA YAKUB…JITNI FILMEN,UTNE NAAM.
THODA PEECHE CHALEN.10 SAAL HO GAYE.JAB DEBU KE BATCH KE SAARE STUDENTS MUMBAI KI TARAF MUKHATIB HO RAHE THE TO DEBU NE REPARTORY JOIN KAR LIYA.DELHI MEIN PLAYS KIYE AUR KAFI IZZAT AUR SHOHRAT BATORI.IS DARMYAAN DEBU KE BATCH KA RAJPAL YADAV SERIAL KE RASTE FILMON MEIN AAYA AUR USNE APNI EK JAGAH BANA LI.DEBU ACCEPT NAHI KAREGA,LEKIN KAHIN NA KAHIN RAJPAL KI KAAMYABI NE DEBU KO MUMBAI BULA LIYA.IN FACT,EK HI BATCH MEIN DONO THE AUR DEBU APNE BATCHMATE KI TULNA MEIN AWWAL ARTIST MANA JATA THA.TO YEAR 2000 MEIN DEBU MUMBAI AA GAYA.
NSD KE TAMAM TALENTED ARTIST KI TARAH DEBU NE BHI STRUGGLE AARAMBH KIYA.PRODUCERS KE OFFICES KE CHAKKAR,DIRECTORS SE MILNA AUR KHUD KE LIYE KAAM KHOJNA.MIJAJ …

YEH TO HONA HI THA.
MEDIA KO LIKHE SONU NIGAM KE KHULE PATRA KE BAAD HUI SUBHASH K JHA KI FAJIHAT KE BAAD MEDIA KE LOGON KA EK SWAR MEIN YAHI KAHNA HAI KI ‘YEH TO HONA HI THA.’
MEDIA AUR FILM BIRADARI KA RISHTA DOSTI SE JYADA EK-DOOSRE KO SHOW DOWN KARNE KA HO GAYA HAI.MEDIA MEIN KAI JOURNLIST IS GHALATFAHMI MEIN RAHTE AUR JEETE HAIN KI WOH STARS KA CAREER BANATE AUR BIGADTE HAIN.
DOOSRI TARAF STARS MEDIA PERSONS KO NEECHI NAZAR SE DEKHTE HAIN AUR MAANTE HAIN KI MEDIA UNKE RAHAM-O-KARAM SE ZINDA HAI.
KUCH APVAAD HAIN,JO HAR FIELD MEIN HOTE HAIN.
JO HUA…AAGE JO HOGA…USKE LIYE MAINSTREAM MEDIA MEIN CHAL RAHE FILM JOURNALISM AUR USKO BADHAWA DE RAHE FILM PERSONALITIES HI JIMMEDAAR HAIN.AAJKAL NEWSPAPERS AUR MAGAZINES MEIN FILMS AUR USKE CONTENTS AND CRAFTS KE ALAWA BAKI SAARI BAATEN HOTI HAIN.IN DINON SIRF REVIEWS MEIN FILMS KI BAATEN RAHTI HAIN.
ENGLISH FILM JOURNALISM …

few years ago i interviewed shyam bengal.i think his views are relevant and will be enlightenig reading for PFC readers.
How do you analyse the emergence of Indian cinema? Do you feel any challenge in the present context?
The problem is not that there is no challenge. The real problem is that when the cinema started as a 20th century art, about 100 years ago, it came on its own. So forth not only the film artists including all the technicians considered film as the forefront of new artistic versatility but that included the whole genre of artistes- painter, sculptors, theatre people, architect…That went beyond the art of all the art form. But by the middle of 20th century another medium came up-TV. Although for India it came just 35 years ago it came so swiftly that in last fifteen years we have more channels than any other country has. Beside USA …

main PATNA mein hoon.
last friday ke pahle se pareshan tha ki is baar review kaise likhoonga.maloom nahi friday ki teenon filmen PATNA mein release hongi ki nahi.aajkal PATNA ke jyadatar cinemagharon mein BHOJPURI filmen hi dikhayi jaati hain.main TIMES OF INDIA dekhta hoon.usmein kisi bhi film ki koi jaankari nahi hai.shayad angrezi akhbaar mein bhojpuri aur hindi filmon ke vigyapan bhi shaan ghatate hon.baharhaal,HINDUSTAN aur DAINIK JAGRAN dekhta hoon.BHOJPURI filmon ke vigyapnon ke beech friday ko release ho rahi teeno filmon ke chhote-chhote vigyapan hain.AAP KA SUROOR sbah 8 baje se dikhyi ja rahi hai.mujhe lagta hai ki distributor ka man rakhne ke liye thetre ne film laga to di hai,lekin darshkon ki naumeedi mein subah se shows rakh diye hain.bhala PATNA mein subah 8 baje film dekhne kaun aayega.ichchha to hoti hai ki main bhi subah 8 ka hi show dekhoon,lekin is dar se nahi jata hoon ki kahin …

Nafisa Ali METRO film mein mumbai ke ek local station par khadi hain.unka dashkon purana aashiq unse milne aa raha hai.ek train samne se gujarti hai aur ham sane plateform par DHARMENDRA ko dekhte hain.saath saal ka woh aashiq bedhadak railway line cross karta hai aur aakar apni bichudi premika se milta hai.is scene aur METRO mein kaam ki tarif karne 72 saal ke DHARMENDRA ki aankhe chamkane lagti hain.chehre par phaili jhurriyon mein umang ki lahren dikhne lagti hain.unki khushi chalak jati hai.woh masoom bachche ki tarah poochte hain,aapne dekhi hai film?kaisa laga mera kaam?khrab to nahi laga na?lagta hai na woh aadmi railway line cross kar sakta hai.70 ki umra mein bhi lagta hai ki aashiq hai.DHARMENDRA filmon se apni aashiqui ki yaadon mein kho jaate hain.
1958 mein panjab ka ek jat naujawan aankhon mein actor banne ke sapne lekar filmfare talent contest mein hissa lene mumbai aaya …

aisa lagta hai ki shad ali ki filmen to ek ke baad ek badi hoti gayin lekin unka ilma usi anupaat mein sikudta gaya hai.SAATHIYA ki taazgi JHOOM BARABAR JHOOM mein sire se gayab hai.JBJ mein naach-gana hai.stars hain.videshi location hain.lak-dak set hai aur chamakdaar costume hai.bas,kahani gayab hai,jabki shad ali ne kahani ko badhane ke liye ANURAG KASHYAP aur TIGMANSHU DHULIA ki madad li hai.teenon hindi filmon ke yuva aur samajhdaar filmkar hain aur milkar aisi kahani likh rahe hain…TAUBA.
yashraj films ke banner se aayi yeh lagatar doosri sadharan film hai.film mein ek gana hai jhoom brabar jhoom…use AMITABH BACHCHAN gate hain…jab woh is geet ko gaate hue thirakte hain to aaspaas mein maujood log naachne lagte hain.nishchit hi AMITABH BACHCHAN is geet mein josh bhar dete hain,lekin sirf ek geet ki chashni film ko kitne meetha kar sakti thi.modern kaandeo ke roop mein AMITABH BACHCHAN prem ka alakh …

katrina kaif ko hindi nahi aati…upen patel bhi hindi nahi bol pata…
so what?
hindi filmon ke actor ke liye zaroori nahi hai ki unhe hindi aati hi ho.hrithik roshan bhi hindi padhna-likhna nahi jaante…abhishek bachchan honge hindi ke kavi dr. harivansh rai bachchan ke pote aur super star amitabh bachchan ke bete…lekin hindi bolne mein woh bhi ladkhadane lagte hain.fardeen.zayed khan,dino morea ke bare mein bhi nahi suna ki unhe hindi aati hai.agar heroin ski baat karen to wahan bhi yahi halaat hain.hindi likhne-padhne ke maamle mein sabhi LIKH LODHA PADH PATTHAR hain.
hindi film industry ki yeh aisi khoobi hai jis par humen naaz hona chahiye.is film industry mein pair tikaane ke liye hindi ki jaankari zaroori nahi hai.aap kisi star ke bete hain…ya rishtedaar hain…ye unhe kisi bhi karan se pasand hai to hidi mein qualify karne ki zaroorat nahi hai.film ban jaayegi…aapke dialougue koi aur bol dega.sridevi ko hi …

videshi darshkon aur indian diaspora ko rijhane ki fikr aur jyada kamai ke pher mein export quality ki hindi film bana rahe directors aur producers abhi pareshan nahi hain.unhe lagta hai ki woh bilkul sahi dhang ki films bana rahe hain.globalisation ke is daur mein local subjects aur characters lekar film banana bewkoofi hai.jise dekho woh videsh mein shooting kar raha hai.films ke location hi nahi,ab to characters bhi NRI aur videshi ho gaye hain.yashraj films aur dharma production ki naqal mein doosre producers bhi wohi rasta pakad rahe hai.natija yeh ho raha hai ki hindi ke traditional audience ki taraf kisi ka dhyan nahi hai.maine pahle bhi likha hai ki choonki hindi belt ke audience jyada paise vapas nahi karte isliye producers-directors unki pasand aur ruchi ko nazarandaz kar rahe hain.natija kya hua?
*pichle 5 salon mein bhojpuri cinema teji se badha hai.iski wajah kya hai?metros se lekar chote shahron …

anurag basu mante hain ki desh mein vikas ke saath sari cheejen teji se badhi hain.is vikas ka ek bura asar yeh hai dilon ke beech dooriyan bhi badh gayi hain.aapsi rishton mein thahrao aur gehrai nahi rah gayi hai.self interest aur aspiration itni badh gayi hai ki hum ne apne friends,wife,husband aur doston ke bare mein sochna band kar diya hai.jyada chahne aur pane ki talash bani rahti hai.film mein dharmendra ne kaha hai ki talash khatm nahi hoti,waqt khatma ho jata hai.
metro life aur culture ka sabse bada dosh yehi hai ki har aadmi jeevan ki aapadhapi mein ekangi hota ja raha hai.subah se sham aur sham se subah ke continuous struggle mein woh sukh,prem,khushi aur vishwas sab kuch kho deta hai.sukh ke chalawe mein who kahin aur bhatakta rahta hai.anurag basu ki ‘life in a …metro’ mein saare characters niji aur aapsi rishton mein nakhush hain.anurag basu …

release ki do dinon ke baad ‘ta ra rum pum’ thodi sambhal gayi thi,lekin friday ko opening nahi milne se yashraj films ko yeh message to mila hi hoga ki unhe apni films ke content par dhyan dena chahiye.yashraj films ki marketting aur packaging jabardast hoti hai.apne network aur proffesional attitude se yashraj films ghatiya se ghatiya films mein bhi munafa kama lete hain.aaj kal yashraj films bata raha hai ki ‘ta ra rum pum’ ki family india ki favourite family hai.audience ko kaha ja raha ki unke saath celeberate karen.sachchai kya hai?trade pandit bata chuke hain.’ta ra rum pum’ flop ho chuki hai. 30 percent ki openig yashraj ke liye badi chetavni hai.
hindi film industry mein yashraj films ki kamyabi se aadhe dare hue hain aur aadhe log jalte hain.contnuous success se yashraj films ka self confidence itna badh gaya hai ki unme arrogance aur attitude aa gaya hai.yashraj …

teen dinon mein ‘hit’ aur agle hafte cinemagharon se ‘gayab’ ho rahi filmon ke is daur mein VIVAH ki silver jublee khas mayne rakhti hai.darshkon ko yaad hoga ki is film ki release ke baad mumbai ke filmi panditon aur trade visheshgyon ne bhavishyawani ki thi ki ise darshak nahi milenge.sach to yeh hai ki single screen aur chote shahron ke darshkon ke liye upyukt is film ko film sameekshkon ne filmi bhasha mein ‘dho’ dala tha,lekin VIVAH ne yeh sabit kiya ki mumbai mein baithe pandit aur visheshgya desh ke darshkon ke rujhan ko nahi jante.mumbai mein jabardast kism ki lobbying chalti hai,jo kisi bhi film ki release ke baad use hit ya flop karne mein lag jati hai.
HUM AAPKE HAIN KAUN se saflta ke shhrsh par pahunche suraj barjatya ne MAIN PREM KI DEEWANI HOON jaisi prachlit formula film mein apni lokpriyata ki dhalan dekhi.hrithik roshan,abhishek bachchan aur …