SATYA QUOTES
Satya Quotes
I am just a sucker for dialogues. There are ones which become immoral like “rishtein mein to hum tumhare baap….”…. “kitne aadmi the…” …. “pushpa I hate tears”….[anything to do with Thakur and Gabbar ….my ears bleed now though] Some of the real gems I feel never get their due. Like for Instance RADIO and TV has abused DEEWAR, SHOLAY and MUNNA BHAI dialogues like anything. Any fucking station or channel you switch to and the same mere pass maa hai Deewar…Aey Circuit…… or Gabbar…..can’t they think of anything else. Ok that’s exactly not I was thinking when I started to write this.
After a long long long long time there came a phase when me and my friends actually adapted a filmy lingo for a long time. Phone calls and MSN messenger chats where filled with this. This actually consumed a part of my Filmy life. There was a Filmy life before this and then there was one after this. If a plan to go the movies and it was cancelled….It was an over the top imitation of “plan cancel…..Bhau ne bola…Plan cancel”.
My Favs from the Movie.
“aaayyy Chutiya…….bolne dena….”
The first time I ever heard someone say that in a HINDI film. Pakya to his guy when he tries to threaten Satya as he protests to the chanda demand.
“paaiiiirrrrr toooot gayeee la hai baapuuuuuuuuu”
Sanjay Mishra screams as the scooter falls on his leg. Fuck this was hilarious to me…..
“wo malum nahi….phone aaya tha….Dubai se……”
The court room. I loved Mule’s reaction to this.
“sala yeh to pipe ban gaya”
Mule reacting to his bent cigarette after the golimaar bheje mein song…
I LOVE JAGGA BHAI….I might just start a website for this character.
Jagga: Kya re shanti seth, counter ke peeche bahut nota geen raha hai…
Shanti Seth: kya jagga bhai… dhanda bilkul maanda chal raha hai…
Jagga: To khola kahe ko…. tala maar de
Jagga Bhai enters the bar for the first time.
“Dekho Shanti Seth, kaay ko faltu baat karta hai … ye hafta tu mereko deta hai, par rakhta nahi hai apun ke paas, aage Gurubhai ko deta hai, Ab Gurubhai ne bola mere ko tere se paisa le ke aane ko, tum bolo kya bolu main usko, ki paisa nahi hai tere paas ….”
“sala tu samach ta to hai….per tereko samchana padtai…..”
The superb extortion dialogue when the bar owner shits bricks and agrees to pay as soon as he hears Guru Narayan’s name…..Jeev’s lines were for me the best in Satya…..Ok there was the Mumbai ka king kaun…and other famous ones but Jeeva takes the cake for me. He was my favorite in the film…….
“kaun kiya reeeeeeee”
It’s not the dialogue per say but the way Jagga Bhai aka Jeeva reacts to seeing Pakya’s face slashed……..I can still see those blood shot eyes and the never ending reeeeeeeeee……..
“lakhta hai sala chokra log mein dum kham ho gaya hai….pichlibaar mara tha to sala ek mahina tak nahi utha……”
“ab sikha na re tu drink banana…..”
When the Blood Shot eyes Jagga Bhai teases Satya with his toe running over his face.
“sala humko kya yeda samjha hai….alibagh se aaya lagta hai tere ko….mere ko malum tera plare wala flat akkha ka akkha book hai…..aab rodi aur cement ka heesab doon tere ko….”
Kallu Mama fucks Builder Malhotra who sits there sweating in front of him.
“Happy Morning…..”
This is often missed as “Shabbo ko try kiya kya” became famous…Mule when he greets Kallu Mama…he says this…Happy Morning……
“tere ko friz laake doon kyaaa……tereko TV laake doon kya????????????”
Chandu jokes before there is a shoot out when they go to Builder Malhotra’s place to collect money.
“tumhen kitni choti choti baton mein kushi milti hai…jaise batata wada….samandar….”
Please please please some do watch this for Satya’s diction…..awesome..esp… “batata wada”
“we are not here to question the government…….”
“bharat bhraman ka iss se accha mouka aur kahan milega….”
ACP Amod Shukla’s Press conference.
“ sala kaha se re yeh Guru Narayan ka kaanta tere aankh mein ghusa….sala ek saath daru piyela hai….ek hi item bajaya hai…..”
Mule’s last ditch effort to broker peace between Bhiku and Guru Narayan
“tu baadbaad band kar…”
again not for the dialogue per say but the way Bhau say it…rather screams it….it’s awesome……
“aayyyyy Satya tere chavi…..”
Chandu sees Vidya from the window. The quote I loved but it was the scene which just blew me…the way it moved from a gory torture scene to a shy romantic one between Satya and Vidya where he steals a moment with her….only POV from room here to the buddy talk between Bhiku and Satya about love and women….This is one of my best scenes in Satya. Amazing graph…..This scene was actually if I can say was the crux of Satya for me. The entire graph from the blood and gore to the shy, blushing Satya to the Bhiku advice on love…..My best scene….FAN BLOODY TASTIC………
[Now if I go into the scenes I love I’ll have to write 100 pages…..so chuck it]
“tere girlfriend tere girlfriend aur mere biwi mere biwi nahi…….”
Bhiku is agitated as Staya had gone out of town with Vidya.
Then there are others like..
“bhaau milna chaahta hai”
“haau ko bole yaahan aaye”
This scene I loved for Makarand’s reaction….superb….and the head shake before he leaves….almost a prophetic DOOM’s Day……..kinda of a sign…..
“mera choice clear tha….bhau kal ko CM bhi ban sakta hai…..”
Kallu Mama has still not come out of the shock killing of Bhiku……Mue tries to make sense of the situation.
then there is …”hume unke dar se faaeda hai maut se nahi” ……
In fact if I go to write all my favs I might as well write the entire screenplay here…I first have to watch Satya again for that which I plan to anyways…soon very very soon…It’s been quite some time…since I saw it last…..
Anurag Kashyap
Abhay Deol
Dibakar Banerjee
Hansal Mehta
Khalid Mohamed
Kundan Shah
Anish Kuruvilla
Jaideep Verma
Manish Gupta
Navdeep Singh
Bhavani Iyer
D. Santosh
Onir
Ashvin Kumar
Ramu Ramanathan
Sudhir Mishra
Pankaj Advani
Revathy
Saurabh Shukla
Shilpa Shukla
Sujoy Ghosh
Suparn Verma
Santosh Sivan
Shashank Ghosh
Shivajee
Pavan Kaul
Partho Sen-Gupta
Prroshant Naryannan
Sam Langoria
Satish Kasetty
Nice trip down memory lane. One of my favorites is when Bhiku hands Satya a gun for the first time outside the bar where Jagga is.
Bhiku: Saali German made hai…
Satya: Lekin mereko chalaane nahi aati.
Bhiku: Kaunsa competition mein chalana hai tereko? Bheje se do inch door rakh ke trigger daba, aadmi khallas.
sahi vijay…..am kicking myself….I missed it…in fact I have not mentioned a single Bhiku dialogue here…..
The Satya and Bhiku fight in the jail and when Satya gets the khanjar he puts it on the throat of Bhiku and says
” Mauka sabhi ko milta hain”
Mule: Dekh Bhiku…apne dhande mein ek gaya…tho sab jaayega!
INTERMISSION!!!!
In beginning of that fight bhiku says to satya…..marega mereko mar mar mar mar mar saale ‘amita vachan’…..the way he says that line is just super….
The only shitty part of Satya was the end quote by Ramgopal Varma…”My tears go out to Satya and all the people he killed” or some shit like that. It was so stupid and cheesy. He got away with it…the audience wasn’t too affected by it then because they had just seen one of the greatest movies ever made in India.
During the ending….Satya asks Kallu mama
” Mujhe Bhau chahiye…”
i agree with you vasan….jagga bhai was fuck*** rocking in the movie……watch his body language and expressions in the scene where he orders satya…”chal drink banaaaaaaa”
this was a fun read ..enjoyed it..
Off topic…@Vijay..one famous Agneepath Dialog
” Eeey Kaancha…saala bandook bhi dikhata hain aur peeche bhi chalta hain?”
Conversation between amod shukla n his wife over killing of innocent ppl is also good.
OM if you start on Agneepath dialogs, we will end up transcribing the whole movie!
Sholay
- jab angreyz marte hain to usse suissite kehte hain.
- loha garam hai maardo hathoda.
Zanjeer
Big B: JJ, main abhi abhi jail se nikla hoon!
Ajit: Haan, kaho to phir se andhar bhijva doon?
-bewakoof aur chutiya main dhaage barabar ka farak hota hai.
-sarath ghodon pe lagaate hain, kathor, sheron pe nahi.
(omkara)
Chandu to Satya while showing the room -
“Dekh, ek bhagwan bhi hain.”
People went gaga over Abhishek Bachchan saying “Main bhagwan ko nahi manata” in Sarkar. But that’s the same line from Satya in above sequence.
Vijay that was superb…hehhehehehhhe =))..the RGV “my tears for Satya”…yeh even then at the cinema hall…I was like why is he getting so senti after making a mindblasting movie…..
@ Vasan…the same way of my sorry…war is bad…etc etc etc..was also done by JP Dutta in Border….wtf?
JP Dutta is a shameless liar of a filmmaker. A total hypocrite. Throughout the film, he goes at it with complete jingoism. Total Pak-bashing for rousing nationalist sentiments in the audience. And then at the end, throws in a song about how war is bad just to be PC. The song had some beautiful lyrics by Javedsaab but, the usage by Dutta was just shameless.
There’s a Malayalam movie called “In Harihar Nagar”. It was remade as “Parda Hai Parda” which had Chunkey Pandey, Laxmikant Berde, etc. It’s being remade again as “Dhol”.
Just like Satya the dialogues of this movie are used still by most Malayalees in their life. The most famous dialogue is “Thomaskuty Vittoda”.
“mauka sabhi ko milta hai”
bhiku in jail fight with satya, “dam hai is mein, sala dam hai” says that and laughs cynically with the kind of expression “we can use him”, rgv drives the characters thourgh audience mind of both bhiku and satya right there
“Karna hain, to karna hain!”
-When Manoj Bajpai hands over the gun to Satya before he guns down Jagga
“Chaddha ki maut se saari film industry hil chuki hain. Ab hame har kadam soch samajh ke lena chahiye”
- Mule to Bhiku in the jail
When amod shukla asks khandilkar about Satya’s role in the gang war and then he goes “…almost a meteoric rise!” (emphasis on the meteoric)
Also the scene when Bhau start joking around is funny because he cracks a really sad one about ‘kallu mama’ letting him sit on the chair. LOL
I think the dialogues of the entire film are worth mentioning.
@Vasan: Yeah the ‘batata wada’ is hilarious.
I kinda stayed away from the Satya – Bhiku ones in the post as I have always been partial to the supporting cast…they are special to me….they give the film it’s edge…take it to another level
and in the scene where chandu shows room to satya, as shashikanth mentioned saya, masth room hain, and then says dekh bhagwan bhi hain and asks sathya -
“maan tha hai, bhagwan ko maantha hai”..sathya’s reaction was ‘nahi’ and the scene was shut off so suddenly that it straight away registers in onces mind…
another scene is…while torturing the body in kallu mama’s office, bhiku asks ab is body ka kya kare, kallu mama suddenly takes out the gun and shoots the body, everyone was so surprised and bhiku says, “bolna tha na”, it was hilarious
@Vasan: For me the film never belonged to anyone but to the entire cast. Everyone had their detailing done to near perfection and thats what made them stand out. So far I have not seen any film that comes even close to what SATYA did at that time. The story was written from the heart, with the fire still burning…which is missing in films nowadays.
The other contribution of Satya to the Mumbaiya vocablary was ‘item’. It did exist in few sections of Mumbai. With Satya, it become a replacement for a hot girl. The line ‘Item pack kar ke’ became insanely popular. Even today people use it commonly.
Thanks a ton Vasan for this trip doiwn memory lane …
“Aeeeeeeeee Amitabh Bachchan”
“Mauka sabhi ko milta hai”
“You should’ve taken some ACTION”
“Exactly what sort of action ?? Bhau thakur ko aur unkey aadmion ko on no grounds giraftar kar ley ??? …”
Satya – For me is the greatest Hindi Movie ever.
I was watching this movie in a theatre and during the interval I just sat there, did not move an inch… I was shocked and pleasantly surprised by the first half.:o I was like Let me not miss a second of this movie.
Hamare Dhandhe Mein Jeet Usi Ki Hoti Heh Jo Sabse Pehla Haath Marta Heh.
Satya to Bhiku after the “Plan Cancel” scene.
Idhar Saala Koyi Kisi Ka Nahin Heh.. Woh Gaya, Mein Heh, Bas…
Brilliant dialogue delivery by Bhiku when Mule comes to Kallu Mamas’ office after the Guru Narayan Killing scene.
Thanks RGV, AK, Vishal Bharadwaj, Manoj, Chakri, Jeeva and the team of Satya…..
^:)^^:)^^:)^^:)^^:)^:)
Derick: just got to know that after reading this comment that Satya is the greatest hindi film ever, A club of Hollywood Directors, consisting all living great directors, under the chairmanship (they rotate it every three months) of FF Coppola, has decided to invite Ram Gopal Verma to be member of this club, after all he is the director of greatest hindi film made ever!:)
(just kidding;) But hope RGV really make some day a greatest film)
For now he seems to be busy in his kind of Sholay!
RK: For me personally Satya will always remain the greatest.
As for Sholay, he better get it right this time around, since he owes his audience one after Company and to some extent Sarkaar.
hope he makes ‘ek’ like what he thought of..
once he gave a reason that politicians r against the idea of making mafia movie which has subject material against our neighbouring country during the peace process… :o
btw. i loved ek’s caption and poster design..
“fear can get the bitterest of enemies together”
thought it would have become a great follow-up to satya and company..
While every discussion about Satya is based on dialogues, story, camera, direction etc. etc… most seem to forget that Satya had one of the most melodious and romantic songs of the nineties – Vishal’s tunes for Gulzar-saab’s tender and romantic lyrics (one of his best) and sung so sensitively…
- “Badlon se kat kat ke,
Kagazon pe naam jodna..
Yeh mujhe kya ho gaya.”
What’s surprising is that against such a dark violent backdrop you had such a beautiful song. And that is perhaps why the song gets forgotten because the starkness and shock of the story envelopes the viewer completely.
Another thing:
Trivia: Was Anurag Kashyap acting in Satya? ;)
Oz – that said .. the songs of satya are very underrated. I mean apart from Goli maar and Sapney main milti hai, common public thinks there aren’t any more good songs… or cant remember them
Badalon sey and tu merey paas bhi hai .. are pretty good ones.
The real toast is “Geela geela Paani”.Amazing lyrics by Gulzar. Imagine Lata Mngshkar singing
“Ni PA …. Pa ni …” AWESOME !!!!
Geela Geela paani is self indulgence or just a “nobody notices” trip from Gulzar – that’s one of those few songs I can’t agree with him… Saajid Khan ripped that song apart on his standup comedy show… and I felt he intelligently selected that song because he himself felt the same way about that song…
Oz – there are quite a few songs where i do think gulzar has indulged himself into the heights of abstract poetry/metaphors and excessive usage of uncommon -unheard of words(read URDU).
But not geela geela paani. I love that one !!!
As for that matter i can never understand why are words like “kudi merey sapney milti hai” .. “munda” which are punjabi … creeping into a mumbayya/maharasthrian wedding….
But that is ok … “willing suspension of disbelief”
if the “willing suspension of disbelief” be applied in all scenarios and cases then “jhopdi mein charpayee” or “ek aankh maroo toh padda hat jaye, dooje aankh maroo toh kaleja kut jayee” – will be considered classics… no… that’s an escapists three point plug being applied in a 2 pin socket… it doesn’t fit… it never will.
Geela Geela Paani!!! Oh god, I was shocked when I heard those came from Gulzaarsaab. Paani saala geela nahi hoga tho kya sukha sukha hoga?? Even the rest of the song, just didn’t cut it for me. The others were great. Baadalon se kaat kaat ke sung by Bhupinder was amazing. Kallu Mama and Sapne Mein Milti hai showed a different side of Gulzarsaab all together. Tu mere paas bhi hai had quite ordinary lyrics, though Hariharan’s rendition was brilliant.
Anyway, the real star for Satya’s music was the score by Sandeep Chowta. Just brilliant. Now when you watch Satya, it tends to feel a little excessive. But some superb stuff nonetheless. A couple of years after Satya released, I was flipping through CD’s at a store in Mumbai and I found a CD called Satya – The Sound, which is the complete score of the film. They didn’t sell too many copies of it and is pretty difficult to find now. I found it by luck. One of my most prized CDs.
=))=))=))=))=))=))
I remember Sajid Khan going ” Jab Gulzar Saab bathroom jaate honge and phir flush karte honge toh unka flush wala paani different types ka hota hoga… jaise ke… dhooanwe waala paane, chipkela paani, sookhela paani etc. etc…”
1 of da best scenes is wen paresh rawal is appointed as the commisioner, n in the car he inquires bout the gang war from inspector khandilkar..
khandilkar says:
“yeh dono bhau ke liye ek sath kaam karte the, par tension tab shuru hui jab guru narayan ne bhiku ke ilaake mein entry li…
bhiku ka dhanda tha, jue ke adde, film finance, matka wageraa…etc etc
then he asks “yeh satya kaun hai?” “sir iske baare mein zyaada maalumat haasil nahi hopayi hai, but under meteoric rights, andar ki baat to yeh hai ke aaj kal bhiku maatre ki gang ko yeh aadmi chalaata hai!!!”
oh godd..its jus fun 2 relive those memories, dialogues etc..satya is my fav film..class apart
there has been a constant debate between die hard gulzar fans and people who feel other wise…..the meter less pattern of writing is often condemed and that he is also accused of using only good vocabulary and no poetry….the non-Gulzar fans often quote Sahir and find no meaning in Gulzar songs as compared to Sahir. Sahir was known for his simplicity yet profound and a deep in meaning…I personally love Gulzar…but have to agree with Oz on Geela Geela pani and yeh I do remember that ….it was either Kehne Mein Kya Harj hai or Ekke Pe Ekka show where Sajid khan ripped that song apart….
But more than the music it was the background which was the soul apart from the dialogues
Hmmm interesting talk here….I actually loved Geela Geela Paani….It was awesome
I look at the song as a metaphor for Urmila’s love for Satya…where she compares his talks as the droplets of rain, the music it creates…well this is the premise and then Gulzar plays with the words
Geela Geela Paani, Paani Soorila Paani
Hoom Hoom, Hoom Hoom Barse
Aaya Hai Kiske Ghar Se Paani, Paani
Aasmaan Chhalka Hai, Aasmaan Bhar Gaya
Geela Geela Paani, Paani Sureela Paani, Paani
It could also mean…in a twisted sense that Satya is making Urmila wet…lol!!!!
~X(~X(~X(~X(~X(~X(
Tu nahi sudhrega!
but that song is sung by Urmila before she meets satya na?????? ummmmmm….:-?
A beautiful composition…since the character was a singer she could interpret the sound of rains in terms of music.. ni pa pa ni! Like a good student of music she is finding music (and sur) in the sound of raindrops…
As for ‘geela geela’ paani is concerned, the use of ‘geela’ is to make you feel ‘wet’.. You dont use ‘geela’ for the paani that you drink.. but its a feeling for the water that touches you (like Rains)…
this one died a silent death…despite the fact that it was mouthed by the one n only Pran.
Film Nastik….amitabh n Pran are patchin up after a fight…
Pran – Tumhara naam kya hai?
AB – Rakhnewale n Shankar rakha hai…kehnewale Shera kehte hain
AB – Tumhara naam kya hai?
Pran – Rakhnewale ne balbir rakha hai…(and here it comes)…kehnewale bhi balbir kehte hain.
still surprised hw people have forgotten Pran!
Thanx a ton Anurag for taking us down memory lane. Cant wait to read more ur experience with Satya. If u do recollect, could u also shed more light on the Sandeep Chowta – Ramu feud with regards to the background score? I felt the score was AWESOME and insightful. I kinda understood the impact of a good score in THIS movie. Ramu shudbe grateful that Sandeep gave it his best. Which Ramy shamelessly acknowledged that Sandeep understood the movie better than him.
Hope to read more on that one.
Take Care!
PS: Read abt the infiniti mall incident in MID-DAY and again on PFC.
I liked Satya dialogues and more importantly the way they were delivered!!. The entire cast had an equal good share of good dialogues and expressions. I felt like I was getting “dharma adi*” from everyone in the cast when it came to dialogues and action. As a result, there was a 360 degree feel to action in the movie, genuinely surprising the viewer at every twist in the plot. The cinematography and the background score was awesome. I felt tied and laden with heavy weight in the superb and huge “Devi” theatre in Chennai mount road when I watched the movie. It was such a big hit in Chennai that the dubbed and released version too enjoyed a good run, a rare thing for hindi movies. In fact the only other dubbed movie from Hindi that enjoyed decent run was “Rangeela”.
The beauty of Satya was the fact that the plot action like scenes where Paresh Rawal gets assassinated and certain other scenes were reused by RGV from the Telugu movie “Drohi” *ing Nagarjuna. The climax Bhau assassination was from another Telugu movie *ing Jagapathy Babu. The Telugu movies of RGV were very silent, moody, more close to Company, with exception of the heroine who always is a chatterbox (similar to Maniratnam movies). So Vasan has rightly picked out dialogues as they were the ones that gave Satya the distinct feel of a mumbayya gangster movie. Otherwise the movie would have been completely like Satya himself, silent and deceptively peaceful.
* phrase in Thamizh when one man gets punched by mob, denotes a free for all when everyone anonymously has a punch on the poor guy.
Special mention of the BGM scores of Sandeep Chowtha. The songs were done by Vishal Shekar, if i am correct. RGV BGMs have been good in his Telugu days. Off late I feel that he is not getting good BGMs. For example contrast the great BGMs for his “Anakanaka oka Rozu” (which became the basis for Road) and Shiva with later movies. For samples of Shiva BGM please go here -> http://www.rakkamma.com/bgm.phtml?dir=Shiva%20%28Telugu%29/
Is Paresh Rawal was in Satya? I don’t remember him in the film. Ihave watched it at eros, churchgate,mumbai, may be his role might be edited by the operator himself.
He is the Commissoner of Police who gets assassinated by satya while coming out of his house. The scene was done first time in Telugu film Drohi ( incidentally there too Paresh was the target!!) and redone in an improved way in Satya. As I marked before the Telugu film had very few dialogues. Satya is a very talkative film, comparatively!! and what engrossing talk it is!!
Yes Jaiganesh, Now I remember, that role. Thanks for the information. I thought Satya is a very silent movie, since Satya hardly speaks but after reading your comments I can imagine how the Telugu version would be. I noticed, Nowadays, all gangster related stories are becoming popular with the public. Recent example is Shoot out at Lokhandwala. Auidences are cheering up when Maya beats up Police Officer Khan during the climax scene. For them, Maya is the Hero, not the Police Officer at that situation. Is is necessary to have around such a huge crowd of policemen to kill 4 gangsters. Okey, if it is few hundred policemen then we can agree the realism of the scene. it is bluffing. Have u seen “Shootout at Lokhandwala”?
I have not seen SAL, thanks to the review of Oz.
OZ Thanks man!!
Vasan ..reading this post i felt like i have quickly seen the movie on the post…a few additions to satya..since the post is about satya..
When jaagas man is slashed by satya..the very first voilent scene
Sushant shouts “sala tabelaa jalla dalega…”
Bhauu hugs Bhiku and “mera bachha hai re tu …mera bachha”
one dialouge ..which you misquoted above
“we are here to serve the government …not to question it”…
yeh to satya hai …please write a post for only dialouges…some thing of these types..
prem chopra in Trishul in the end …”aur hann…police ko baatane ki galti mat karna ..kahin ghabrahat main goli na chal jaye”
Don :when om shiv puri ..smoothest in his dialouge delivery (jhor ka jhatka dhere se lage types
Vijay : Malik saab hum charon taraf say ghir chuke hain…
Malik : Hum nahi Tum ghir chuke ho
and the final statement before the fight starts
Malik: Com’on boys take him
Kader khan …is abt to black mail amjad khan having his son under his custody …
“shayad tumhe maloom nahi tumhara beta mere kabje main hai”
and suddenly he is given a envelope with fotos inside it ..he has a sarcastic smile on his face looking at his men he says ..
“kisi apne hi chaa ne vale ka kaam lagta hai ..”
the envelope has a foto of kader khan murdering somebody
Manish those were some absolute gems you have there…..awesome …..superb…..Prem Chopra’s one has me rolling….=))…..superb…..tu sala master aadmi hai re….
Kind Attn.: Shri. Anurag Kashyap
Dear Mr. Kashyap,
Where are you these days? Been ages since we talked. Black Friday was great, i’d said that ages ago. Showed it to my wife, first day.
Take a few minutes from your very busy schedule & write in to me if you can. My email address is clariondrugs@gmail.com and clariondrugs@hotmail.com . Clarion is my company.
Regards,
VIVEK TIWARI
am very impressed by reading dailogues here ..Hey vasan am introducing myslef to as friend of manish ..we both are big fans of hindi dailogues …i would liek add couple of them
1)SHAAN — In end scene when amitabh , shatru and shahi conquer Shakaala mahal and in his cabin ….that time Amitabh warns shakal “Shakaal ab tum bach nahi sakte , tumara khel khatam ho gaya hain “…shakal responds him by by misterious smile by saying “Bachna toh tumhe hain vijay” and press some magic button which opens underground door for crocodile and adds in end “Agar main tumari jagah hota toh bachne ki koi umad he nahi rakhta ..Good bye”…..
2)SHAAN –again at end in above sence when all three heros come bak by fighting and struggling shakaal says “Vake hee zindagi main pahli baar bahaduron se paala pada hian “….
Great post Vasan. Here are my fav.
- Kuch kaam Milega?
Kuch bhi chalega tereko?
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-Ha, mein usako bas sHecond sHignal pe le raha hoo. Ha number kya hai? White esHteem hai na?
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- Kya re, Bhiku Bhai Ko hool deta hai?
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- Kya re phir andar aaya na tu rape case mein. Bahot phodane waale tereko idhar. Do danda saale pe.
————————————-
-Kichad mein bhi kamal khilate hain.
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- Maamu, bhiku hai woh. usako jidhar bhi dalo udhar ka jaga usko raaj hojata hai.
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-Maalum kiya mein. Woh andar hai.
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-Ha daddy baat karta hai mera bachha. Daddy shamko ghar aayega abhi dhande ka time.
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-Kya pees hai maamu kya pees hai. Dono kya gutar gu kar rahe the.
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-Bandar ka maafik tera muh laal ha gayela hai.
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-Aaro woh razaak hai na, aare mera dost, woh us fillum ka asHisHtant hai. Usane bola dedh phoot ki phat gayi. Bola subah se bhai log ka phone aaya tabse jullab ho raye usako.
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-Tu kya karti hai?
mein gaati hoon.
Kya gaati hai?
Gaana gati hai?
Kaunsa gaana gati hai?
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-Yeh Satya kya cheez hai re?
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-Saala chhokra log mere pe hasega. Bolega, Bhikkuu, bhadwa saala, ae Bhikku, Hasssi. Abhi aisayich karne ka hai, kauki bhau bola mereko.
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-Bhiku Mhatre Maar
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-Kisako yakeen hai tu mere ko bata na, bhau usaka baat pe yakeen karta kya? Kidhar hai re tu?
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-Dekh mai bhau ko itte se janta hu itte se, woh chup betha hai matlab yeh nahi ke woh bhadwa hai.
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-Kuch lena goli-woli
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-Mule bolta hai bhau milna chahta hai.
Unako bole idhar aaye.
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-Mere ko khusi hai, ke tu bhiku ke saath kaam karta hai.
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-yeh talla kaay ko macha rela hai? Ha ab idhar tubhi hai mein bhi hai Vidya bhi hai, huh? Phir phikar kis baat ki?
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-Udhar saala suraj bhi dub ra hai teri baat sun sun ke
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-Mera maa bhi kabhi mera baat nahi taala. Itna sa tha tabse.
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-Satya ke kehne par guru ko maara, amod shukla ko mara. Ab khud bhi mar gaya sala……………… CHUTYA.
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-Bhau ko pata lagich jaayega ke apun log use maar dala.
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-Sirf ek mauka de maamu, sirf ek mauka.
Hey,
This is a great collection of dialogues..
Ive built a Bollywood site with a section for Bollywood dialogues..
http://www.bollydb.in/quotes.html
would love some contributions for the same..
discussion between muley n bhiku after bumping of guru.
“Aaj agar main usko nahi tapkaya hota to kal tu yehi baat uske saath kar raha hota.
WOH GAYA MAIN HAI, BASS BAAT KHATAM!”