Khushboo: Fragrance of love, wait, sacrifice and moral right in the relationship

First thing first, KHUSHBOO is a PERIOD film, based upon the story of Sharat Chandra Chatterjee. So no new definitions can be imposed on the characterisation/s. It is set in an old time and hence has to be seen in that manner only.

Once selected a story, the thing which matters is the fact how convincingly a director has shown his chosen story. Story may not look convincing in a period film because times are changed but good directors have that skill where they keep grip on the visual story telling factor and audiences are soaked deeply in to the visual watching of the film and whether story is feasible in the present circumstances or not, ceases to matter for audiences.

Practices like Childhood marriages or fixing the marriages for children are not in the fashion now a days but this absence can not stop audience to enjoy the films …

Chhoti See Baat

There is a little difference between a good person and a person with grey charateristics and exchange between two kind of natures of people can take place very easily with little management. Though they are seen and understood as good men but several times in their life majority of people enter in to this grey shed, though sometime to fulfil their temporary desires, which they can not suppress anymore for the sake of their inherent ideal nature.

CSB?s Amol Palekar could become a man with some villainous characteristics but director shows masterly ability to maintain a fine balance and Amol Palekar comes out clean as a hero else plot had that slippery ground that his character could fall down and then it was not possible for him to remain as Mr White.

CSB reveals difference between genuine person and hunters.

There …