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Second and concluding part of the excerpts from a conversation occurred between Director Raju Hirani(RH), and Ajay Brahmatmaj (AB), is presented here.

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[Following is the translation of the Hindi Interview and may not do full justice to the original interview so to read the exact sayings of Raju Hirani, one should go through the original interview. This is simply a trial to expose the interview to those readers who can not read Hindi at all]
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AB: How could you preserve your dream of directing the films? Advertising work was fetching you good money. Did this not distract you from your dream of filmmaking?

RH: I had not come from Nagpur with a thought that I would make documentaries or would do Ad films. I think nobody comes thinking this sort of things. I did not know about Ad films …

Second part of the interview of Director Prakash Jha(PJ), taken by Ajay Brahmatmaj (AB), is presented here.

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[Following is the translation of the Hindi Interview and may not do full justice to the original interview so to read the exact sayings of Prakash Jha, one should go through the original interview. This is simply a trial to expose the interview to those readers who can not read Hindi at all]
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AB: You still make documentaries but if we talk about feature films then how this journey was started and why and when did you think that you should make feature films?

PJ: I was thinking about making feature films also. I had written scripts for the two stories of Shaival, Kalchakra and Daamul. I was searching producers for Daamul. Man Mohan Shetty had become my friend by then. He said …

To continue the series “Initial Steps”, excerpts from an interview of Director Prakash Jha,
taken by Ajay Brahmatmaj , are presented here.

Ajay writes

I had started my interview series with the interview of Prakash Jha. He is my elder and to some extent my guide also. Perhaps it is difficult, at present, to evaluate the contribution of Prakash Jha to Hindi cinema but he has brought a new language to the Hindi cinema.

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[Following is the translation of the Hindi Interview and may not do full justice to the original interview so to read the exact sayings of Prakash Jha, one should go through the original interview. This is simply a trial to expose the interview to those readers who can not read Hindi at all]
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From now onwards Ajay Bramatmaj will be represented by AB and Prakash Jha …

Bura na mano holi hai .. holi hai bhai holi hai .. Bura na maano holi hai

The aforementioned used to be our (i.e me and my aawara delhi lodi colony waalas’) slogan during holi, while under this pretext we would apply colour to all the females of the locality who normally wouldn’t even bother to acknowledge us as human beings let alone Dudes/Guys/date-able etc etc ..

So we always used to do ghost-dating (HELLO !!! IF Ghost direction and Kamal Hassan can exist, why not GHOST DATING ??)

Why am i reminded of the same after reading this (and I must confess, after drinking two big glasses of BHAANG)???

“So what really went wrong between Aamir and Robert? “Why Robert is no longer part of the film, I would not know the back-story,” says Abhinay. He has just started casting for the film, which has been written by Los Angeles-based …

Its not everyday that a bunch of filmmakers I like, get together and converse on the medium. For such occasions I always had to depend on film festivals or even take a trip back in time during those glory days of DD. Most such occasion are fruitful when the moderator/interviewer is as well versed or at least someone who can hold his/her own amongst such august company.

Imagine, the thrill when Sudhir, presented the link to this gup-shup between Anurag, Navdeep, Rajat conducted by none other than Bharadwaj Rangan.

All about Old vs New Parallel Cinema - a lovely read this.

Excerpts

Nearly two decades after the demise of what was called Parallel Cinema, three filmmakers from a new age of non-mainstream cinema open up about then and now.

B Rangan: What is your personal opinion of the Parallel Cinema movement of the 1970s/80s?

Rajat Kapoor: I think great beginnings were made. There …