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Taste of good cinema is a cultivated one. One sees good cinema and when a bad cinema is shown the choice is easily made.

I have seen bad cinema and my exposure to some gems have cultivated my taste for good cinema.

I am not talking about No Country for Old men or some other foreign language movies.

I am talking about Padhinaaru vayadhinile - the movie where characters came alive with blood, flesh and sweat of a Thamizh Nadu Village.

I saw Sigappu Rojakkal and was amazed at how a psycopathic misogynist can be sketched without using the black and white strokes.

I saw Raja Paarvai and was amazed at the success of a blind man’s love - and that of cinema too.

I saw Moondraam Pirai and was thrilled at how tender moments of life can be shown without burning them in the glare of arclight.

I saw Saagara sangamam and found how “True art …

Sensationalism of topics apart - Thamizh film director Bala is one who is never tired of chronicling people whom we dont want to notice in our daily life. He takes his audiences into the fringes of our society showing us people who are literally on their fringes. His latest journey is taking him to Kasi and to people whom we never ever care to notice that they exist. He has creatively collaborated for the first time in his career with an author, an eminent thamizh writer Jeyamohan who has written extensively about characters who live in the same street as you and me, but are totally hidden from our ‘normal’ gaze. Sensational aspects of his next project ‘Naan Kadavul’ are detailed in this behindwoods article. Forgive me for the god awful title for this post!!!