Nishant : Vijay Tendulkar’s illustrious entry in to hindi cinema!

Great and powerful and impressive writers possess one thing for sure and that is the art to present some stories in their own words/ways/manners and though its very much possible that they are taking inspirations from mythology or stories, already told in the past, but they will weave the plot in such a way that theme of their plots will be successful in presenting issues prevalent in the contemporary times.

Great writers have their strong control over observation of the three phases of the time, the past, the present and the future. They have ability to use their own mother tongue, no matter its not recognised world wide, to tell their stories and these stories will have global impact and in some manner will cover human being all over the world. They have deep observation of what has been going on and what may happen in future and they weave …

Utsav(1984):: Eroticism at its best in hindi cinema!

When a genius like Girish Karnad, the playwright, who wrote his most famous play, Tughlaq, at the age of 25 only and won Jnanapith award for writing plays in 1999, joins hands with another genius Shashi Kapoor, a film producer who dares to make different and sensible cinema and tries to carry cinema to new heights, then only a film like Utsav borns. Girish Karnad had made his foray in hindi cinema by directing Godhuli in 1977 and Shashi Kapoor as a producer had already made, Junoon and Kalyug with Shyam Benegal and Vijeta with Govind Nihalani and 36 Chaurangee Lane with Aparna Sen.
Going back in time was not new for Girish Karnad as his plays though dealt with the centuries old subjects or mythological and historical characters and yet they also brought modern sensibilities and social and psychological conflicts before the readers/audience. Girish Karnad?s plays go back to …