Ramchand Pakistani: Outstandingly told

If Khuda Kay Liye was a fine example of fledgling independent cinema from Pakistan – distinct from the Lollywood’s mindless masala – then Ramchand Pakistani by debutante director Mehreen Jabbar is sure sign that quality cinema from our neighbours are surely getting revived, thanks to a young breed of filmmakers who have largely cut their teeth through television and are socio-politically conscious.

Ramchand Pakistani had its first public screening in the Subcontinent at the 10th Osian’s Cinefan Festival of Asian Cinema in New Delhi on 12th July – three weeks before it becomes the first Pakistani film to have simultaneous release on August 1 in both the countries – and wowed viewers with its sensitive storytelling shorn of any melodrama.

Based on a true incident of a young Hindu Dalit boy from a village across the border from Gujarat, who had inadvertently crossed the international border along with his farmer father at …

Khuda Kay Liye (In The Name of God): A Flight of Reason


How do you create division among people? Etch a line with the tip of your shoe in the dust between them and give them opposite sides to belong to. The rift may not be immediate but gradually across time there will be category and classification. There will be further division, conflicting systems of belief and later, fanaticism and dogma. Before long the dust line you drew will be blown away by winds but it doesn’t matter, they will probably have barbed wire walls up by then. All history and past will begin at the moment the line was etched. What existed before that is to be disregarded or is in the context of science. Few will talk of unity and a past where all was one. The tragedy of it will be that there will be no one to hear …