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A large number of people are there who always shout as soon as they get a chance that India is the land of Khajuraho Temples and these people treat these temples as the places depicting sexual behaviour of mankind. Many of them equate Khajuraho temples with the erotic shops available elsewhere. If it is so then why these statues were carved on the outer walls of the temples and why they have not found place inside the main building or in Garbhagrahas of temples? An erotic shop keeps alluring things in the glass window and these things work as an advertisement and a pulling factor to sell more such things lying inside the shop.

If erotica was the subject of Khajuraho’s temples then why they have not been selling concept of sex inside also? Many of these people …

iView Author: The Narcissist (Goa, India)

Email: withheld

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Portrait of a director - Hrishikesh Mukherjee
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There has been a lot of discussion in recent times about the quality of movies being churned out in Bollywood. I had posted a comment on the news item about Fox entering the Indian movie market where I’d stated my thoughts vis-a-vis the quality of movies being made these days and its relation to the money coming into the industry. This spurned a thought in my mind about heavyweight filmmakers of yore. I’m sure today’s directors can learn a trick or two from the veterans and that coupled with the finances at their disposal, there’s no reason why Bollywood shouldn’t attain dizzy heights.

The first name that spontaneously came to my mind while thinking about these directors was Hrishikesh Mukherjee. Maybe …

To continue the series “Initial Steps”, excerpts from an interview of Director Prakash Jha,
taken by Ajay Brahmatmaj , are presented here.

Ajay writes

I had started my interview series with the interview of Prakash Jha. He is my elder and to some extent my guide also. Perhaps it is difficult, at present, to evaluate the contribution of Prakash Jha to Hindi cinema but he has brought a new language to the Hindi cinema.

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[Following is the translation of the Hindi Interview and may not do full justice to the original interview so to read the exact sayings of Prakash Jha, one should go through the original interview. This is simply a trial to expose the interview to those readers who can not read Hindi at all]
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From now onwards Ajay Bramatmaj will be represented by AB and Prakash Jha …

When a genius like Girish Karnad, the playwright, who wrote his most famous play, Tughlaq, at the age of 25 only and won Jnanapith award for writing plays in 1999, joins hands with another genius Shashi Kapoor, a film producer who dares to make different and sensible cinema and tries to carry cinema to new heights, then only a film like Utsav borns. Girish Karnad had made his foray in hindi cinema by directing Godhuli in 1977 and Shashi Kapoor as a producer had already made, Junoon and Kalyug with Shyam Benegal and Vijeta with Govind Nihalani and 36 Chaurangee Lane with Aparna Sen.
Going back in time was not new for Girish Karnad as his plays though dealt with the centuries old subjects or mythological and historical characters and yet they also brought modern sensibilities and social and psychological conflicts before the readers/audience. Girish Karnad?s plays go back to …