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Second and concluding part of the excerpts from a conversation occurred between Director Raju Hirani(RH), and Ajay Brahmatmaj (AB), is presented here.

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[Following is the translation of the Hindi Interview and may not do full justice to the original interview so to read the exact sayings of Raju Hirani, one should go through the original interview. This is simply a trial to expose the interview to those readers who can not read Hindi at all]
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AB: How could you preserve your dream of directing the films? Advertising work was fetching you good money. Did this not distract you from your dream of filmmaking?

RH: I had not come from Nagpur with a thought that I would make documentaries or would do Ad films. I think nobody comes thinking this sort of things. I did not know about Ad films …

In continuation of the series “Initial Steps“, excerpts from a conversation occurred between Director Raju Hirani(RH), and Ajay Brahmatmaj (AB), are presented here.

Ajay writes about Raju Hirani

First time I had met Raju Hirani in the office of Vidhu Vinod Chopra. Munna Bhai MBBS was not released yet. Most of the journalists were interviewing VVC. I saw that a shy man was silently sitting on a bench. Shining in his eyes pulled my attention and I approached him and got to know that he was the director of Munnabhai MBBS. I did a formal newspaper kind of interview with him and came back. Film was released and got a success. I met him again and this time it was a long meeting.
Coincidently I got to know bit earlier because of my sources that Munna Bhai MBBS was given the National award. I …

To continue the series “Initial Steps”, excerpts from an interview of Director Prakash Jha,
taken by Ajay Brahmatmaj , are presented here.

Ajay writes

I had started my interview series with the interview of Prakash Jha. He is my elder and to some extent my guide also. Perhaps it is difficult, at present, to evaluate the contribution of Prakash Jha to Hindi cinema but he has brought a new language to the Hindi cinema.

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[Following is the translation of the Hindi Interview and may not do full justice to the original interview so to read the exact sayings of Prakash Jha, one should go through the original interview. This is simply a trial to expose the interview to those readers who can not read Hindi at all]
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From now onwards Ajay Bramatmaj will be represented by AB and Prakash Jha …

iView Author: Shashank Walia
(Delhi, India)
EMAIL: shashankwalia [at] live [dot]com

Vidhu Vinod Chopra - Where the maverick filmmaker goes wrong OR Am I confused ?
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Now nobody can ignore the contribution of Vidhu Vinod Chopra in bringing quality cinema to India after a decade of qualitative and creative block. He was one of the first few directors who dared to be different in that existing era of commercialization. He is over-confident, self obsessed but at the same time he is highly talented. The aesthetical and technical sense of this director is considered to be one of the finest in today’s time.

Starting with Murder at the Monkey Hill, his diploma film at FTII, it promised us an intelligent filmmaker in making. The film was a satirical pop up …

JAAGO MOHAN PYAARE!

“It is very easy to criticise anyone’s work than doing the actual work”.

The old and experienced players of hindi cinema…started their career by redefining the rules of typical bollywood film making. But some how lost their golden touches, cinematic abilities, and trapped in their own success and intelligence. They are thinking they are making right stuff and are with new generation of film making. But they might don’t know there are many dark horses trying to make films in their own way and if so called genius film makers would not wake out from dreams,…. they might go for long sleep.

* J.P. DUTTA- started with bang- Ghulami. But confined in his own brilliance. Prisoned in desert, thakurs and revenges(Batwaara, Kshatriya). Somehow reborn in Border but again captured in the same prison of long songs, wars and cross border issues. Umrao Jaan was like doordarshan serial. Though his …