What’s Your Raashee?: Taaza meal, flavour baasee.
Yogesh (Hurman Baweja) and Pooja (Priyanka Chopra) : Contemplating the probability of their marriage
WARNING: CONTAINS SPOILERS
What a person will do when he has to choose a bride only to solve the monetary problems of his family? Logically he’ll go in the shaadi-bazaar and see who is offering the most handsome dowry for him, given that his market value is quite high as he is doing his MBA from University of Chicago and plans to settle down in US. He’ll find many takers there and this will be more practical approach for most of the people. But then films have to create a social awareness also and establish the morality of our hero, hence he refuses to take the dowry in his marriage against the wish of his father. So, how is the problem of his family is going to be solved? Well, our hero’s good old maternal grandfather has bequeathed him with properties and possessions worth crores of rupees, which he’ll inherit only after he is married. This grace has fallen upon him because apparently he is the only one who still remembers his birthdays and sends him cards and none of his own children or grandchildren do so. I wonder in this ghor kalyug how someone can ignore a man with so much property in his hand, unless all of them are much richer than he is. Anyway, coming to the main plot, our hero whose name is Yogesh Patel (Hurman Baweja) comes to India to the rescue of his family and he has ten days to do so. In these 10 days he has to find a bride and get married. This is a tough task for him but then he lays his hand on some Hinglish book titled What’s Your Rashee?, according to which there are 12 types of girls based on 12 zodiac signs. Yogesh decides to meet exactly 12 girls based on these signs and starts his search for bride. The first girl whom he meets is Anjali of Mesh (Aries) rashi (I think the correct term is Rashi and not Rashee). She initially sounds too dumb by declaring in a well rehearsed angrezi accent that she is non-vegetarian, likes wine and ‘drink’ cigarette but eventually she redeems herself when she accepts that it was her pretension as she thought he as a NRI would like it. The second one is Sanjana of Kumbh (Aquarius) rashi who already has an African-Indian boyfriend so she forces Yogesh to reject her. The third girl is named Kajal of Mithun (Gemini) rashi, an exuberant and garrulous girl. Her problem is that she needs time to develop love before getting married. Fourth girl is Hansa of Kark (Cancer) rashi, she already had a relationship with a boy who later ditched her after taking her virginity. Next one is Chandrika of Meen (Pisces) who believes in reincarnation and considers that Yogesh was her husband in her previous life (sounds too ridiculous, there are girls that impractical, I didn’t know).
In between this main plot there are also two sub-plots going on, one involves Yogesh’s father (Anjan Srivastava), his cousin brother Debu bhai (Darshan Jariwala) and the astrologer cum private detective (Rajesh Vivek), where Anjan has hired Rajesh V to keep a track on his brother Darshan J who is cheating on his wife. Another one involves the Moolchand Bhai’s (Yuri Bhairavi Vaidya) henchmen and Jeetu Bhai (Dilip Joshi). These sub-plots are there just to create cheap laughs. The sixth girl whom Yogesh meets is Mallika (Sinha or Leo rashi) who is a dancer and gets annoyed on Yogesh for a trivial reason, guess how she’ll bear a husband. She moves around in luxurious cars but still needs chanda for her shows. Phew! There are still 6 more girls to introduce. Okay we’ll have a quick glance because there isn’t much time to delve into the characters of the girls (which seems to be the thinking of Mr. Gowariker too). Moving onto Vrishchik (Scorpio) rashi girl Nandini who wants to be a model, still would like to get married but Yogesh convinces her that being model is her true passion and not marriage. Apparently somehow she is able to coerce her 50s decade stuck parents by wearing a micro mini that she aspires to be a model and they readily agree just in a few minutes (how realistic). Meet next the Kanya (Virgo) rashi doctor, Pooja a humanitarian girl who doesn’t want to settle in US of A.
Then there is Vishakha (Vrishabh a.k.a. Taurus) who when not roaming around in her palatial mansions with hundred cars around, likes to travel in the city on public buses and yet she doesn’t know simplicity (according to her mother). She also likes to test the love of her potential grooms by acting lunatic. The Dhanu (Sagittarius) rashi girl Bhawana is well versed in ‘prem shaashtra’ and wants ‘Sampoorna Samarpan’ of Yogesh before being married to him. The last one is Makar (Capricorn) rashi girl Jhankana who is underage and is there in the movie only to educate people about child marriage. Well, this completes it. No?….Oh, there is one more girl left, the Tula (Libra) rashi girl Rajni Parmar who was introduced somewhere in the middle (Its damn hard to remember the characters chronologically), a dominating personality in the corporate world, wants to dominate her husband too. She favours a contractual type of marriage and wants her husband to be ‘joru ka ghulam’. Meanwhile, Rajesh Vivek and Moolchand bhai’s disciples keep popping up in the movie sporadically.
Ashutosh Gowariker’s movies move at a leisurely pace and this becomes the drawback here, moreover he introduces the songs in a traditional bollywood fashion, where he actually takes break to show the songs and this also interrupts the flow of the movie. There is nothing exceptional about the camera-work and the cinematography, still Piyush Shah has done a good job. Performance-wise Dilip Joshi, Anjan Srivastava, Rajesh Vivek are alright. Darshan Jariwala has performed well. Other supporting actors don’t have much to do. Among the lead actors, Hurman (not Harman) Baweja starts good by looking sober and sincere but carries his nonchalant look throughout the movie, without showing any variations but then, he also doesn’t get those many acting moments. Priyanka Chopra does get a chance to show her acting talent but she is not consistent throughout. Some of her characters stand out but much credit goes to the script where the characters are initially created with those traits while most of them don’t look very different from each other because there are no clear boundaries. One cannot tell much difference in the character of Sanjana, Kajal, Mallika, Nandini apart from their apparels because they all seem like the extension of one another. Kajal is the college going bubbly girl who may later become Sanjana (a microbiologist) or Mallika (a dancer) or Nandini (an aspiring model). Their behaviour seems to be pretty much the same.
Priyanka has done a good job but lacks the talent to bring out the distinct nuances of the characters without the help of the script and that’s why when twice in the movie Yogesh meets the girl whom he had seen previously, one has to wait for Yogesh to spell out their names. Taking twelve different actors in these roles might have brought more variations. There is one explanation in the movie on why all these faces are the same but it sounds ludicrous. Another thing is that all these girls seem to be too honest. They readily share their desires and secrets which very few would do in just ten minutes talk. In reality, there happen many marriages which are based on lies because people don’t share some of their secrets or deficiencies. Probably Gowariker here wanted to create a good image of all his characters.
In the movie, we also get to meet the parents of the potential brides and most of them are introduced to us as ‘purane khayalaat ke’ persons. They are depicted in such way that seems like a stereotypical representation of those parents. Others parents are either not introduced or they are there only to behave in a very bizarre fashion and create laughs.
The songs seem to interrupt the movie incessantly especially since most of them do not remain in mind for long and there is one song with each of the character barring the first one Anjali and the last one Jhankana. Sohail Sen has done a decent job though.
The climax is a let down because in the end it’s not Yogesh who chooses the girl but his Debu uncle and the final verdict is of the girl (and not Yogesh) to choose him when she finds out that her boyfriend is cheating on her. Thankfully, Yogesh was not married till then. She quickly moves from one relationship to another which again questions the nature of her love. Is it that shallow? I assume she is one, so called modern girl who doesn’t like to lament on the loss of her love but she moves on just in a day? Probably he was her substitute right from the beginning. Yogesh at a time also declared in the movie that he wanted to do love marriage but finally his uncle doesn’t even bother to ask him about his choice. These things also make the entire bride hunting spree of Yogesh pointless. His guardians could have done this earlier, selecting a bride of their choice. Why this 3.5 hours long wild goose chase?
Tags: Ashutosh Gowariker, Hurman Baweja, Priyanka Chopra, Review, What's Your Raashee?
Anurag Kashyap
Abhay Deol
Dibakar Banerjee
Hansal Mehta
Khalid Mohamed
Kundan Shah
Anish Kuruvilla
Jaideep Verma
Manish Gupta
Navdeep Singh
Bhavani Iyer
D. Santosh
Onir
Ashvin Kumar
Ramu Ramanathan
Sudhir Mishra
Pankaj Advani
Revathy
Saurabh Shukla
Shilpa Shukla
Sujoy Ghosh
Suparn Verma
Santosh Sivan
Shashank Ghosh
Shivajee
Pavan Kaul
Partho Sen-Gupta
Prroshant Naryannan
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Satish Kasetty
Hmmmmm…3.5 hours is bit too long… I mean I love Ashutosh Gowarikers works but having a song at 3 hours 25 minutes was pushing it too far…. Towards the end I was praying for the movie to get over, since I didnt want to walk out of a movie (as it would be an insult to Ashutosh!).
But unlike you I am totally impressed by Priyanka Chopra…what an actress!!! If you think her performance in Kaminey is cool, then this one is cooler than cool!
Hurman Baweja is like a furniture…looks good but cant emote…
I think the movie had 3 songs too much (the Kanya rashi seducing song, the climax song). Also the whole Khandala episode is a pure waste of time. NOT REQUIRED!
But all said and done, nobody can question Ashutosh Gowarikars honesty ..its there to be seen on the screen…
For more proof of Ashutosh Gowariker’s ‘honesty’-please Log-on to a 1994 Kevin Bacon Film named -’The Air Up There’ where our pursed lip hero travels to a impoverished African village and teaches the men how to play cricker..err Basketball. The climax of this film involves a match winning three pointer on the ring of the bell. And guess what is at stake in the grudge match? The entire landed property that the village owns and is on the verge of losing to a evil landlord.
hi every one i think everyone have some usp, so ashutosh sir have the 3.5 hrs usp. which become a rgular basis
Hello, may be, it’s his usp and I have no problem with it as far as the movie is Swades or Lagaan.
The movie is based on the same story that the 80’s serial Mr. Yogi was based on. I will never spoil the good memories of watching Mr. Yogi with this shit.
Good haathi bhaiya. Sadly, from that serial I only remember that it started with the shadow of few girls dancing and while in the background some girls singing Mr. Yogi *music* Mr. Yogi *music*. Also some faint memory of voice over of Om Puri. :(
Does Ashutosh Gowarikar think that if he makes films less than 3 hrs.duration he will be punished by his fans? Ashutosh is decent film maker but he still needs to learn to tell stories in lesser time.
I think I am the only Indian who hated Lagaan. I found it too superficial.This film reminds me a hollywood flick Escape To Victory.
How Bollywood and Hollywood have same mindset…an example
Escape to victory is made in 1981 by John Huston..In World War II, a group of Nazi officers come up with a propaganda event in which an all star Nazi team will play a team composed of Allied Prisoners of War in a Soccer (Football) game. The Prisoners agree, planning on using the game as a means of escape from the camp.
This film is inspiered by a Hungarian film Két félid? a pokolban (”Two half-times in Hell”), made in 1961 by Zoltan Fabri.
The difference between the two films is that in Hungarian version they play too well and the enraged Germans execute them before the game ends. And in an American Version they manage to escape at the end of the game, amidst the confusion caused by the crowd storming the field after Hatch preserves the draw.
And the only reason I can find here is BOX OFFICE.
Same thing happened in Lagaan. Brtishers loose the match and not only waives the taxes but also leaves the village. The Brits in Ashutosh’s film were too kind to do this. And why this happened just to get succes at BOX OFFICE. Happy ending sells!
Poor Zoltan Fabri (may be) did not think about the BOX OFFICE like Huston and Gowarikar. Any way in the end I can only say that All’s Well that Ends well
I haven’t watched the movie Escape to Victory but often heard the comparisons between it and Lagaan. Hence I’ll reserve my comment but I’d say that in sports movies the common motifs are the redemption or the victory of an underdog, Lagaan also comprises these things. When you are making a movie involving some sports there aren’t much liberty, it has to be cliched to some extent. But apart from this sports stuff there are other elements and themes running (ex. Unity etc.) in the movie which elevate it.
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P.S. I too didn’t like Lagaan as much as I had hoped especially the second part and that too because of all that cricket thing which looked stale because you knew exactly how it is going to end.
@uh
I agree 100% with u on not letting go of Mr Yogi memories. I still remember one dialogue from that serial. Yogesh Patel introduces himself to one of the prospective girls as “Y I Patel”. The girl says ” I dont know. Its your problem”. Now that was classic.
How do I know why you are Patel?
I read it somewhere.
Yeah “Y I Patel” is immortal. Mayank Shekhar mentioned it in his review on HT.
you dont like too many movies do you..i guess the movie was amazing if you dont consider the length part. PC was amazing..in some scenees she was brilliant..Harman looked like a Hero – Guitaring, MBA, Dancing…next Hritik in making..and i think we should apreciate gowarikar for making..it was atleast more insteresting than the stuff coming out these days..wat if he highlighted few social issues..the scenes were well thought of..and even after 3 hours i was not that tired ..unlike Kaminey which I could watch for just 30 mins..seroiusly
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@deepa
The number of females who liked this movie will always be greater than the males. Why?
* It’s a rom-com (their favourite genre)
* Yogesh (Hurman) is every women’s dream boy- Highly qualified (MBA from USA), charming, having a taste in music with good dancing skills who cares for his family, doesn’t fall for a seductress, values his roots and has exactly the right amount of fatuousness which girls like.
* The movie establishes that no matter how much qualified you are (an MBA, here), a girl will always outsmart you (she used him as a backup)
@deepa..hey deepa.the reason movie can be considered dissapointing is maybe cause the characterisation was horrible. Character of herman was basicaaly stupid, unlike gowarikar’s other male characters.Yogesh believes in rashee or does not believe in rashee?,he believes in dowry or not?, he wants to marry or does not want to marry? basically it was a character without any edge or reasoning.Just guitar and dancing cant make a good actor.Narrative was broken again and again by the songs, if people like songs then maybe should watch music videos,very few of the 12 characters of pc had any substance and felt more like manipulation of audience emotions, again songs were not taking the story forward..background score was very bad.Gowarikar tried to create the magic of older movies like chupke chupke and golmaal and others and it was no doubt a brave attempt which can be lauded..for a man who made jodha akbar, lagaan and above all lagaan to shoot a smaller film like this is very brave indeed..but he still tried to use the same tricks by adding songs, which here harmed the narrative and started feeling irritative and manipulative..maybe thats why some people may not lke it, not comparitively, but absolutely..but anyways, everyone has their opinion.
Every great film maker makes at least one bad film…let’s hope this is AG’s first and last…..c’mon AG give us another “Swades”.
@vineet
this definitely not the only flop of Ashustosh, before he has given a super dud called “pehla nasha” and then critcally acclaimed BAAZI….now with whats your rashee flopping his succees(as a dependable director..not commercially) ratio comes to 50%…..somewhere he doesnt have that special eye for small nuamces that is very much required for these kind of movies…don’t know about others but i think real test is this….making LAGAAN, SWADES or JODHA AKBAR definitely is tiring but somehwere very safe….i still remember how much i hated JODHA AKBAR ater first watch…because there were so many places where it dragged big time….but started loving it later because of few scenes which delivered punch…but coherency is one thing that ASHUTOSH is missing bigtime!!…some how for me biggest flaw of this movie is ASHUTOSH GOWARIKER , if it was some other directors name inspite of him…i would have actually embraced the same product….but not when his name is associated with it….:(
@vinnet
If you would have gone to grass route level of India and stayed there for a while then I am very sure you would have criticized Swades like anything. I think Ashu had written this film sitting at his home in an AC. There is hardly any sense in the film. Swades is a glamorized portrayal of real life incident.
@Valay
How can you say that? Well, I’m not some metro-bred person and am well familiar with the grass-root India and Swades is one of my favourite movies.
@jahanpanah
I can say it because I have been to grass root of India i.e. Melghat. Melghat is famous for many deaths by malnourishment. You won’t believe there is no electricity in villages of Melghat. Bus comes there once in a week. .Anyway let’s come to Swades topic.
I have many issues with Swades.
There is huge difference between Studies (or literacy), Education. I think Mr. Gowarikar doesn’t know this.
Geeta says Kitabe hamme gyan deti hain. …wrong …Books give us information and not education.
Panhayat wants school building to store Anaj. The school whose future existence is in danger has benches for students to sit and that to in good condition. Even in many schools in outskirts of Pune don’t have benches for students to sit.
Then our Mohan Bhargav goes on hunt for the students. He asks a potter “Ye matka kitane ka hai?” “Oh sirf 25 rupaye ka?. Shehar main ye mataka kam se kam 100 rupaye ka mila ta hai”. You don’t know this? Send your kid to school. Ya in school he will learn at what price he should sell the Mataka.
My dear Mohan (and Mr. Gowarikar) that potter knows it very well. He doesn’t have resources to take and sell his product to city that’s why he has to depend on Dalal who ends up taking away all the profit. That is what happening with Indian farmers all these dalals take away their hard earn profits. This is real education, which you never get in school. Life teaches you all. School can only make you literate.
Mohan Bhargav is completely alien for those villagers. He doesn’t have knowledge about lifestyle of people here. Who gave him right to talk about life of people here? Because he is a scientist from NASA he can talk any shit? We don’t need rocket scientist in our villages. What we need in our villages is youth which has already migrated to cities in search of jobs because of centralization of resources.
Mr. Gowarikar has shown in the film that Mohan Bhargav is educated person. He comes to India, he sees our people are so dumb then he decides that it is his duty to educate all these people.
To me Mohan Bhargav is highly literate but uneducated. He possesses decent information about India with the help of that he impresses Geeta (who always seen wearing fantastic and not to tell expensive Sarees)
We all should see what incredible work has been done by Dr. Kalbag in the field of education at grass root level. Every Indian has to visit his Vigyan Asharam at Pabal.
I can go on like this but…. What we need in India are educated film makers. Can’t we produce a single Angelopoulos in India?
P.s.: Apology if I have hurt anyone’s sentiment.
You have stated your problems with the movie. Good.
Grass root India depends upon place to place and its location. Yes there are places like Melghat but there are also places like the one shown in Swades. That place may be little too developed in comparison to Melghat but accepting one and denying other isn’t going to help.
Gyan means information (knowledge to be precise).
Since it is a movie and that too an Indian one, where the directors are somewhat obsessed with keeping their products prim and they spruced it up. So the desk are in good conditions etc. One has to take the overall effect and point of scene. If the scene isn’t to the point and didn’t click with the audience then these lack of details etc. become more obvious and painstaking, though overall a scene becomes much more engaging if the care on detailing has been taken by the director.
Life does teach many things but not all of the things and that’s why one needs education.
Youths migrate to the cities for better opportunities as you have said due to centralization of resources but then bringing those resources and facilities to the villages can keep people from migration and that’s what Mohan Bhargav did when he brought electricity. Likewise bringing many more facilities to villages and creating opportunities will prevent migration. Also if you look upon it, Mohan Bhargav was himself a resident of the village and he did return to his roots. In broad sense Mohan Bhargav an Indian resident (less developed) migrated to USA (more developed) for better opportunities but he does come back and that is your point as well.
The Nature of women is unfathomable, may be Geeta was one of those women who really took care of her looks or it is just another case of our director’s obsession with flamboyance.
Too bad this movie turned out to be a dud. After getting tired of Sajid Khan’s jokes, Ashutosh Gowariker was keeping the “spirit of awards” alive with his rangings on stage. What if he gets modest now and stays quite! The awards will loose its sheen!
I have my own benchmark for assessing how well a movie has been able to engage me. If i start to look at my watch more than 3 times, and want a scene to get over as soon as it can, i know it really did not engage me.
Lagaan was long, cliched, predictable, but at no point did i feel like looking at my watch. Every moment was engaging for me.
Swades the only time i looked at my watch, was during the climax, which i felt could have been trimmed, but otherwise every moment engaged me.
Jodha Akbar- Nice production values, good performances, good attempt. But quite a number of moments had me looking at my watch, saying to myself “Get over it please”.
WYR- Lost count of the times i looked at my watch, and too many moments which i wanted to end ASAP, and a climax that was a huge let down.
Jodha Akbar was also dragging especially when he chose to show all that fine detailing in love.
@Jahanpanah – I am Deepak actually (sorry for typo) although a pure Virgo ;).
@chintan86 –
Yes, Ashu’s movies have a lot of idealism maybe that is why I like them(virgo u see). Yes he did try to bring in the era of the true ideal clean
Indian Hero which had vanished in recent times.
Wow a female name does bring lots of replies ;).
Oh! Mistake on my part. :/
I’m all for an ideal protagonist. I do prefer complete white character which has become outdated in current era not only in movies but in other froms also. Probably, that’s why my favourite character is Superman, well Batman too but he is also very moral with a strong code of conduct, though some shades of grey.
I did like the character of Yogesh in the movie but didn’t prefer the girl with whom he settled.
3 hours 31 minutes and 13 songs with repetition of 1 story 12 times… awful. Iss movie ko 13 episode ka tv serial hone chaheye ttha, Remake of Mr. Yogi on big scale. And harman baweja is really irrestible. Uski koi movie mein puri nahi dekh pata. H.B. triology of jhelaauness: 2050 love story ,Victory and now What’s your rashie ?
while i agree that the film definitely needed to be trimmed by an hour (12 songs were completely unnecessary and so were some of the sub plots, especially when they added to make a romantic comedy 3.5 hours long), but i still liked the movie very much. i think people arent giving it a chance, give it a shot, an honest watch. its a very pleasant movie, genuinely and cleanly funny, like the old comedies of Hrishikesh Mukherjee like Chupke chupke and Golmaal, and ofcourse Priyanka is brilliant. Her performace here takes her to a whole another level as far as commercial cinema is concerned. I havent seen any of Harman’s earlier film, but hes likeable in this one. The supporitng actors were good, but sometimes unneeded. some
As far as illogicality is concerned, like the scorpio gilr’s parents chaging their minds suddenly is concerned…….its a romantic COMEDY man! and its not completely brainless at all, sure ther are some parts that were illogical but one needs that to make a genuienly feel good movie.
Overall i think WYR’s plusses outweigh its minusses by far. Ofcourse its not Ashutosh sir’s best work, but Ray didnt make a Pather PAchali everytime, in the same way Ashutosh sir cannot make a Lagaan everytime or for that matter Anurag Kashyap cannot make a black friday everytime. Ashutosh sir’s genius in this film lies in the fact that he has bravely attempted something that people least ecpected form the maker of magnum opuses like Lagaan, Swades, and Jodha Akbar, and in my view he succeeds.
No film is flawless.
I didn’t say that the movie was bad I’ve merely pointed out my problems with the movie. Still, I could’ve forgotten all had it had a better climax.
ok. and yes i agree, i was left sorely dissapointed by the climax too. not only the choice of the girl (as she only came to yogesh as a rebound) but also because of the fashion it was exsecuted in.
Yes, even I liked the movie too. Don’t know why lots of people are not giving the movie a honest chance. This move deserves more than what people are thinking or writing about. This movie is kind of light, romantic, comedy and relaxing movie.
Though 12 songs is too much but the songs are hardly 2 to 3 minutes long or so. Also every song kind of depicts that rashee’s character, which is what is required when 15 mins is not adequate enough to show one entire character. Most of the songs are indeed good according to the context.
I agree that climax is not well done but by that time climax has reached I already had a nice time watching the movie did not care about the bad climax compared to the whole movie as such.
The girl should have been Hansa to send out a real strong social message. AG was hypocrite in not not making her the bride even when in movie Harmaan says the fact that Being a non-virgin wont come in the way.
Actually I’ve no idea how does being a non-virgin really affects a marriage. I mean, what was the criteria to find out had she hadn’t told him that thing herself. Likewise in reality in a society too there isn’t a criteria to find out. While people do prefer virgins (and I think its hypocritical if they aren’t one and still prefer), it’s not like non-virgins aren’t getting married. So, how could it be a strong social message.
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Ashutosh Gowariker missed it two times.
*Yogesh asked Hansa if she would be able to give the same love to him. Why he didn’t ask the same question to Sanjana too?
*Vishakha acted lunatic so that she could test the love of Yogesh. Here actually the case is opposite because if someone is going to marry her for her wealth, he wouldn’t consider if she is mad or not. So, he would certainly say yes. While, if someone is going to marry her and not her wealth, he is going to reject her seeing how she behaved.
That means it was foolish of her to act in such a way.
firstly, i replied to your reply as u were one of the few who liked the movie and wanted to share why few people may not have liked with the movie..reply had nothing to do with your name..though ”true indian hero’ is really perplexing for me..a person who is all goody goody and always does the right moral thing is the ideal indian man?really, is that how indian do and supposed to behave??anyways am not saying you are wrong or such thing, just trying to understand your point of view to which everyone is entitled..just that majority indians i see around me are much much different..i also dont agree with one of the viewpoints that yogesh should have married hansa…that is one of the few things i liked in the movie actually..i liked that gowarikar showed people how they are, and make choices like normal people do and are basically flawed in eyes of others and perfectly logical in their eyes..have lots of stuff to say which i like to say as to why i did not like the movie, but in the end can only say it was a brave attempt by gowarikar…else is just big useless talk..ciao.