Who said it to whom and where!
Few scenes/dialogues swim in the sea of memories and they want recognition and so many times we are unable to give proper identification to these audio-visual memories.
Few PFC authors have collected some dialogues from Hindi Films and hope some of these dialogues will take you on a nostalgic trip and some will tickle you inside.
Dialogues may not have exactly correct (word to word) order but meanings are very close to the original dialogues.
Have Fun !
——————————————————————-
Karthik Krishnan
——————————————————————-
1) hum log cement mein ret milatey hain …. Woh toh RET mein cement milata hai !!!2) Kya logey ?
Ek VIP ki chaddi dena 36 number ki !!!
OM
———————————————————————3) Lo Cream role khao
4) Eh, tu jab rota hain na..apna dil bhi rota hain rei
5) Maine pehli baar dekha hain..toota tara..
Yahan par tho roz hi girr the rehte hain6) Hata Saawan ki Ghata
7) Hum Hum hain…Baaki sab paani kam hain
8) Raaavan!!! saale, Sita deni hain ki nahi?
Pavan Jha
—————————————————————-9) Tere Naam Ka Kutta Paaloon
In the same film in the end same character says
(Tere naam ka to kutta bhi naa paaloon)10) “gandhi ji nahin rahe, nehru ji bhi nahin rahe, subhash bhi chale gaye aur in dino meri
tabiyat bhi theek nahin chal rahi hai”11) “kya karoon, apne mohalle ka sabase achha bhangi hoon main”
12) “sab kuchh wahi to nahin hai, par hai to wahin”
13) “bilkul toothpaste ke tube lag rahe ho
woh upar se daba rahe hain, neeche se kavita nikal rahi hai”14) “sabhi retire hote hain, vakeel, doctor, engineer.. bas neta retire nahin hote… jab tak
marte nahin, ya maar nahin diye jaate”15) “hum to gobar ke upale hain, itihaas ke dher ke tale bas yun hi sulagte rahate hain, koi
haath lagaa kar dekhe to…”16) Meri beti hai ya Chitrahaar, jo friday ke friday dekhoon.
17) “aadhe 47 kha gaya, baaki aadhe ko 84″
18) “srivastav PK aaye hain”
19) “is generation ke paas sawaal bahut hain.. par jawaab bhi to nahin milte”
20) “Biwi chali gayi, shaadi ki raseed chhod gayi”
RK
————————————————————–21) Wo agar yun mar jayegi…. to ye Hindustan Hindustan nahin rahega… ek makbare
azeem ban kar reh jayega22) Jo Mohabbat chhupa kar kee jaye, wo gunah hai aiyashi hai
23) Jab hathon ki menhdi ka rang asuon se dhul jaye to phir kaun sa rang chad sakta hai
24) Senapati, ye mitti hamaree maan hai, ise apne jakhmon par laga lo ghav bhar jayenge
25) Ab ye baat dharm ki nahin hai, shudhi ashudhi ki bhee nhain hain, ab ye baat hai
swatantrta ki, atma samman ki26) Tum agar rangreliyan manao to wo theek kyonki tum ek purush ho aur mein agar kisi
dusre ko pyar bhi karun to wo galat hai kyonki mein ek aurat hun27) Agar use marna hee hai to pehle batane ka kya matlab hai? ekdam se marena chahiye
28) Mein abhi abhi samundar chhod kar aa raha hun aur samundar mein tairne wale,
talabon mein nahin tiara karte29) Mein chai bahut achchi banati hun…pause. .. other character… aaj nahin phir kabhi
30) Ma, Mein yahan rehta hun is kamre mein. Wo wahan alag dusre kamre mein beech mein
ye drawing room hai.. ab ghar uska hai to use to bahar kar nahin sakta na.. par mein
alag yahan apne kamre mein wo wahan… koi lena dena hai nahin31) Kisi se pata chala ki seerat achchi ho ya na ho par soorat achchi dikhnee chahiye, dil
bhale hee maila ho par kapde jarur saaf lagne chahiyen.32) Mujhe dukh hai to is baat ka ki maine anjane mein tumhe bahut dukh pahunchaya hai
33) Usne (…) chaar paranthe khaye to khaye par tumhe banane pade tum bahut thak
gayee hogee, hai na34) One character : – Kisi gaon se aye ho kya, koi beauty parlour kyon nahin khol letee
other character in reply : – Tum kyon nahin khol letee Beauty parlour . Shakal dekhee
hai apnee…35) Mein ullu hun, ullu ka charkha hun, ullu ka paththa hun
36) Woh ek nari hai, sanskaron ke bandhan mein bandhee huyee, par aap to purush hain,
ajad hain, adhunik hain, in sab sanskaron se upar hain, aap hee uske gale se mangal
sutra nikal kar use ajad kar dijiye.37) Mein to chhadi rakhta hun, to janab meine jo chhadi finfinayee hai…..
38) Puttar, Jawanee hum par bhee aye thee, puch le kisi se tab bhee
apnee mehnat kee khai thee39) Itnee garmee mein over coat pehnta hai, kaisa admi hai ye Mannu Dada
40) Matakna chhod de ladkee jawanee chaar din ki hai, ye husn ki kahani chaar din ki hai
41) Mein dekhta raha aur ve log mere saamne mere bete ko le gaye. Mein dekhta raha
Sheetal42) Are ajeeb ladki ho bhai tab se kya ayen bayen gaye ja rahee ho, seedhe seedhe ye
nahin batati ki hamaree bahu ho43) Aap hamare sar se taj le sakte hain par dastkhat nahin le sakte.
44) Seth ji, sach bol kar kya mila ? jhhoth bolkar apki gaadi mein sawari mil gayee thee aur
sach bolkar, galiyan aur ab aap car se bhhe utare de rahe hain45) Ladke barat mein aye ho warna parat mein rakh ke yaheen dhun deta
46) Are sahib ankhon se tanik ye jharokha to hataiye, jara ankh mein ankh daal kar level ki
baat ho jaye.47) One character is singing : Tere mere beech mein kaisa hai ye bandhan anjana
Other character : anjana kahan Guru, hum to kab se ek doosre ko jante hain48) Sundarta kya hai? kya wo kisi cheej mein hotee hai ya dekhne wale ke dil mein hotee
hai?49) Wah janab wah, jab shadishuda log biwi ke alawa prem karenge to hum jaise to
kunware rahenge hee, hamein kahan se ladkiya milengee.50) Jab apun ko sharam nahin ata to tumhe kyon ata hai saab. Abhi apne ko akal hotee to
mein yahan apki kursee pe baitha hota aur tum wahan meri jagah. Abhee ye sab bhala
bura, sudharne adi ka baat chodo, apna bhatta chalu karo, kholi number batao, apun
ko bahut bhookh lagela hai baap.51) Agar ek bhai dusre bhai ke liye kuch karta hai to apna farz pura karta hai, kisi par koi
ahsaan nahin karta. Meine in yateem bachon ke liye kuch diya hai to apnee biradari ko
diya hai kynki mein bhee ek yateem hun.52) Ye gana mein sadkon aur charaon par nahin gata. Jab bhee kabhi jindagi se mayush
ho jata hun, dukhi ho jata hun to apne apkelepan mein ise gunguna liya karta hun.53) Ye to yun kaho raja ki kuch dil lag gaya yahan warna Mangal ko aaj tak koi jel rok
nahin payee.54) Pehlee baat to ye thee ki tumharee badli kisi chote sthan par karwane kee koshish kee
jaye. Chhoti jagah kamai jarur kam hogee par wahan apne khud badshah. Kisi ki jee
hujuri nahin karnee padegee aur phir kuch ulata sulat ho jaye to aab aram se daba dee
jatee hai. Doosree baat ye thee ki , tumharee maa bhee kah rahee thee ki ab tumharee
shadi kar dee jaye. Ek rishta aya hai. Ladkee koi apsara nahin hai par swasth hai…
uska baap ek mamuli vakeel hai par hai fauzdari ka aur tum to jante hee ho fauzdari
mein kitanee amdani hotee hai.55) Lo sun lo, barkhuddar keh rahe hain ki is baar pass ho jane dijiye, jaise humne inhe
pass hone se roka hua hai56) Samajh mein nahin aa raha ki bhookh jyada lagee hai ya sardee jyada lag rahee hai.
aisa karta hun sardee ko bhookh se ladva deta hun aur khud so jata hun
Subrat
—————————————————————–57) “Agar tujhe halwa khana hai toh tujhe dance karna padega.”
58) “When you want to shoot, shoot; don’t taaalk.” Bang. “Saale motu”
59) “Main hun jurm se nafrat karne waala, shareef ke liye jyoti, gundon ke liye jwala”
60) “No if, no but, bas jatt.”
61) “Cow is a wonderful animal. Cow is our mother. India is also our mother. Cow has four
legs. India has four pillars, Hindu, Muslim, Sikh, Isai. Cow has two seengs, India has
Udham Singh and Bhagat Singh. Agar aap cow ke peeche aao, you will find a tail jo
makkhi udata hai, India has Sardar Patel jinhon makkhi udake India banaya. In front cow
has nose, India has Subhash Chandra Bose.”
[ Now if you can tell the song that follows this, there will be bonus marks ]
Tags: Dialogues, Hindi filmsWb
—————————————————————–
62) tumhara bhatti kidhar hai?
Anurag Kashyap
Abhay Deol
Dibakar Banerjee
Hansal Mehta
Khalid Mohamed
Kundan Shah
Anish Kuruvilla
Jaideep Verma
Manish Gupta
Navdeep Singh
Bhavani Iyer
D. Santosh
Onir
Ashvin Kumar
Ramu Ramanathan
Sudhir Mishra
Pankaj Advani
Revathy
Saurabh Shukla
Shilpa Shukla
Sujoy Ghosh
Suparn Verma
Santosh Sivan
Shashank Ghosh
Shivajee
Pavan Kaul
Partho Sen-Gupta
Prroshant Naryannan
Sam Langoria
Satish Kasetty
Om-3,4,5-Kabhi Haan kabhi Na
1 – Jaane bhi do yaaron
1 -> Jaane Bhi Do Yaaron
Pavan, Expectedly, you have Gulzar’s classics from Maachis, Hu Tu Tu, Chachi 420 nd Aandhi (13??). Is ’shaadi ki raseed’ from ijaazat? I can almost hear Naseer saying those lines.
Incdentally, the chitrahaar dialogue is one of my favourites from Chachi 420. Every time I watch that film (which is quite often), i burst into loud guffaws when Kamal say that. The other gem from that film is “is ulli ki patthi ne….”
Karthik: 2 is 1:40 ki last local, isn’t it?
Subrat: you just love Mithun and Govinda, don’t you?
6 … rangeela aamir says hata sawan ki ghata
18… chupke chupke .. dharmendar says to om prakash, saahib srivastava p k aye hain
33… bhootnath… srk says on phone to juhi chawala
trying other questions… baki ke jawab thodi der men
Isn’t “Biwi chali gayi, shaadi ki raseed chhod gayi” from Saathiya?
28)Sharabi
29)Shakti
30)Shakti
31)Satte pe Satta
32)Silsila
33)Banti aur Babli
37)Sholay
41)Shakti
42)Shakti
46)Collie
51)Don
52)Mukaddar ka Sikandar
53)Kaala Patthar
56)Main Azaad Hoon
I am guessing, 22) Mughal-e-azam 49)Silsila and 50)Lawaris
OM,
6 n 7 is from style….
57) Dance Dance (I think Smita Patil says this to Prabhuji)
59) GUNDA (Mithun’s intro in the cult classic GUNDA)
btw, unhappy that there is no mention of the other Gunda dialaags (read dialogue) esp of Lambu Atta, Ibu Hatela, Bulla and Ch**iya….
11… hu tu tu
14… hu tu tu
15… hu tu tu
60… fanaa… Herji as tourist guide to tourists
59… jyoti bane jwala.. guessing by words used in dialogue… he he he
16 – Chachi 420
Subrat, the song that follows is ‘It happens only in India’, Govinda says these lines in the film- Pardesi Babu… isn’t it?
1…jane bhee do yaron.. om puri
4 … kabhi han kabhi na… Don Goga Kapur says 2 srk
5… kabhi han kabhi na.. in the end juhi & srk say
28…sharabi, big b says 2 satyen kapu after leaving his dad pran house
29…shakti, smita patil &big b
30…shakti big b 2 rakhi
31…satte pe satta.. big b 2 sarika nd her husband nd 2 hemamalini
34…banty nd babli.. rani mukharji nd other girl at beauty competition
37…sholay..jagdep 2 gaon wale log
41…shakti dilip kumar 2 rakhi
42…shakti…dilip kumar 2 smita patil
46…coolie..big b 2 suresh oberoi..big b intro scene
1) jaane bhee do yaron
2) Haasil
4)Kabhi haa kabhi naa
5)Kabhi haa kabhi naa
6)style,Deewana mastana
7)Style
8)Naram Garam
52)Mukaddar ka Sikandar
53)Kala patthar
59)Gunda
60)jo bole so nihal
predominantly amitabh…hmmm
@ashwin,
let right answers to all the questions come out. Multistarrer films belong to many actors.
45… saathiya
61 : pardesi babu…..govinda to some character artist..
58: toy toy tehelka….
dharmendra to a dead shammi kapoor…
remember the legendary line by the legend….
dong kabhi wrong nahi ho sakta
giving up…
some questions r very tough… no clue
when right answers ll b disclosed?
this site sucks sumtime…made 2 comments on pratidvandi post but dont c them posted…
its annoying at times…huuuh
relief..coment is posted here but y not on pratidvandi?
anyway not my harm… i had posted a gud interview of actor of pratidvandi… he is talking abt ray there
@Krishn…Your comment was stuck in Spam filter..we have de-spammed it, you should be able to see it now.
In future if you face this problem, please do email PFC and one of the editors will help you.
Anindya..yes you are right..3, 4 and 5 are from Kabhi Haan Kabhi Naa
Krishn..6 is right..its Aamir Khan from Rangeela..and then it was used in Style too…
Anand Kadam..7 is from style
axw11, adesh, Shatrughan, ashwin – between you, we have all the answers for Qs 57 – 61. Awesome!!
57 – Dance Dance, Smitha Patil to Mithun (as kids)
58 – Tehelka, Dharam paaji to Shammi Kapoor (last scene when they are in the flight returning to India and Shammi Kapoor turns out to be the main villain out of nowhere)
59 – Mithun’s intro in Gunda (goosebumps time)
60 – Jo Bole So Nihaal; Sunny’s intro (an Indian police constable in an international crime caper)
61 – Pardesi Babu, Govinda. Song that follows is ‘It Happens Only in India’
subrat..i never understood what was isai..what religion is it? Jews?
@subrat…isai means christian :-)
Till now, right answers have been given to following
28 = AB in Sharabi to Satyen Kappu
29 = Smita Patil and AB talks in Shakti just after their first meeting when he goes to drop her at her house
30 = AB to Rakhee when she goes to visit him at Smita Patil’s house
31 = AB indirectly to Hema Malini on wedding of Sarika and Vijendra Ghatge
32 = AB to Jaya Bachchan just before leaving her to go with Rekha
33 = SRK to Juhi Chawala on Phone from his ship in Bhootnath
34 = Rani Mukharjee and other girl at the gate of engineering college – HBTI Kanpur (though shown in Lucknow in the film) during a beauty contest
37 = Jagdeep in Sholay where he is reciting story to villagers – how he captured Jai and Veeru
41 = Dilip Kumar to Rakhee in Shakti
42 = Dilip Kumar to Smita Patil in Shakti
45 = Sharad Saxena to Vivek Oberoi in Saathiya
46 = AB to Suresh Oberoi in Coolie, Railway station scene
51 = AB in Muqaddar ka Sikandar just before singing the song O saathee re tere bina bhee kya jeena
52 = AB in MQS same scene as in 51
53 = Shatrughan Sinha in Kala Patthar in Jail scene
56 = Annu Kapur to AB in Mein Azad Hun in the begining
—-
any other guess about any question from 21st to 56th is wrong.
—-
As questions were not seen by PFC authors before including Karthik, Pavan, Om, Subrat and Wb so why not trial by them.
—-
I could not get 62 (Wb’s question) Its the toughest for me. Cant get any clue.
62 -> keshto mukherjee to utpal dutt in Gol Maal…..
What a scene!!!
17 – Maachis, Om puri to Chandrachur
35, 36 – Anil Kapoor in ‘Woh saat Din’, 35 to padmini kohlapuri, 36 to naseerudin shah
43 – lagaan?
Is 55 from kabhi haa kabhi na? anjan srivastav to SRK’s mom
yess i am sure 55 is kabhi haan kabhi naa
18 – Chupke Chupke:
Dharmendra: Saheb, neeche Srivastav saheb PK aayein hai
Om Prakash: Kya? Tujhe kaise pata ke woh pee-kay aayein hai?
Dharmendra: Woh swayam hi bolen, ke apne saheb se bolo PK Srivastav aayein hai”
Om Prakash (pissed off): Oh-ho, PK ka matlab samjhi? Prashant Kumar!
It’s a very very funny scene, the type of wit Gulzar saheb revels in.
Following are correctly answered in my lot.. (Unanswered ones 9, 10, 12, 19)
11. Hututu – Nana to Tabu.. Tabu visits Nana’s Village and surprised to find him sweeping the mohalla.. She asks “Ye mohalle ki naali aap kyun saaf kar rahe ho”? Nana replies “Kya karoon apne mohalle ka sabse achha bhangi main hi hoon”.. Beautiful Scene… Watch out if you haven’t or forgotten..
13. Aandhi – Suchitra Sen to Sanjiv Kumar
14. Hututu – Nana
15. Hututu – Nana to Tabu
16. Chachi 420 – Kamal Hasan to Om Puri
17. Maachis – Om Puri
18. Chupke Chupke – Dharmendra to Omprakash
20. Saathiya – Vivek Oberoi
#9, #10, #12, #19 yet unanswered…
#55 sounds to be HUM ? Amitabh to Govinda?
#29 RK Are you sure it was Tea, not Coffee?. for all the years I thought Smita Patil made good coffee
44. Raj Kapoor to Nemo – Shri 420
Pavan, my attempts on your unanswered set (10 and 19 sound so familiar but elude me).
9: Mithun, Ilaaka
10: Manmohan, Aandhi??
12: Sanjiv Kumar, Aandhi?
19: Sunil Shetty, Hu Tu Tu
@JD(31)
You are right.
35 = Anil Kapur sings this line when Padmini asks him to sing a song she has written.
36 = Anil Kapur to Naseer in the climax scene when Naseer asks Anil to take Padmini along with him.
43 = no sorry its not from Lagaan.
@Ameya (32), Om (33), Pavan(36),
55 = yes its from Kabhi Haan Kabhi Na. Anjan Srivastava to SRKs onscreen mother, when SRK says that let him pass this year and then he will make a career in music.
Films top most beauty is its impressive and realistic dialogues. Just before this dialogue when Anjan Srivasatva says sarcastic things to SRK while he is requesting his mother to give 30 Rs and eating breakfast. Amazing dialogues.
@Pavan (37),
29 = Cant recall exactly it was tea or Coffee. It could be coffee and i changed it with tea as I have been doing conveniently in real life all these years whenever I have option to select one between two. So perhaps my own selection affected the word in dialogue.
————–
@Pavan (38),
44 = Very right. Raj Kapoor’s Raju in Shree 420 to Seth Dharmchand Tolachand in the almost begining of the film.
@Satya (7),
Sorry I missed your footnote line earlier.
22 = Your guess is right, Its Mughal-i-Azam, when Akbar is told by Bahar about Anarkali and Salim’s love and he is going towards Salim’s palace and Anarkali wants to escape but Salim stops her.
49 = no its not silsila
50 = no its not Lawaris
Pavan: I think 19 is Hu Tu Tu. Suhasini Mulay and Nana. I am sure ‘is generation ke paas sawal bahut hain’ was suhasini, and kind of remember the scene a bit, but can’t recally whether it was Tabu or Nana who retorts with “par jawab bhi to nahin milte”. I think Tabu leaves the scene and Nana says this.
Will write right answers to any unanswered question (from 21-56) on Monday. May be by then few more will be solved.
21-27 are from either films saw bumper success on BO or they created a huge curiosity before their release or they have got high critical claim.
(23) is from one of the most favourite 5 films of majority of Audiences.
This is strange that (27) remains one of the mosta talked about films on PFC and hardly any PFC author, reader will be there who has not praised this film.
Same is true with (54) It has been praised by majority on PFC many times.
Hint:
Most of the questions left without answers belong to films discussed in this thread only but at wrong places.
and now none of the film associated with unanswered question was released before 1958. Leaving 2-3 questions
(films released in the period between 1958-1973) all other films were released after 1974.
@RK..is 27 Satya? JD to Manoj..wen they kill Guru
54..shool?
@Om(46)
Yes (27) is from Satya. Chakravarty says to Manoj Bajpai and Saurabh Shukla when MB(Bheekhu) says in anger to their prisoner, person belonging to rival gang, that go and inform your master that we will kill him soon.
(54) No sorry its not shool
shit i had 3 films in mind for =27… shool company D .. its satya.. now its clear…
few more tukke… ha ha ha
23= raja ki aygi barat
24= sikandar (prem chopra..premnath..prithviraj kapur film)
43=sardar (patel paresh rawal film)
Ohh yeah RK i remember that now…it is after the shootout at that construction site..and immediately after that scene, JD see’s Urmila out of the window and goes to meet her..what a freaking great scene…after such a powerful scene..you bring down the seriousness..WOW
a wild guess
23- sholay?
ameya sholay sholay … shit… cud nt think b4…
shame …big shame…ve seen sholay 5 times…but how cud i miss this…
now i also guess no guss but sure 23 is sholay…
stayen kapu..ramlal.. says this 2 jai big b… b4 holi flashback scene or after holi scene ..ven he tells radha…jaya story to jai…
a big miss… shame
@Krishn (49) sorry all your gueses are wrong.
@Om (50), exactly where Bheekhu’s gang members see her through window and inform Satya about her and he goes out and Kallu Mama also peeps out to have a look on her.
This whole sequence till Bheekhu takes Away Satya and they sat on stones and Bheekhu asks all of a sudden ” Tera mamla serious hai kya” is very nice. very close to life where a person understands nature of his friends and behave accordingly. Anurag and Saurabh Shukla made this scene quite alive and made rather most beautiful scene in the film.
@Ameya(51) your wild guess is exactly right.
@Krishn(52) yes Its sholay and same scene as you have described.
Ok so time to write right answers for all unanswered questions.
(21) Wo agaur yun mar jayegee—– comes from Mughal-i-Azam as well. Prince Salim is in battle field and Mangal Singh (Ajit) reaches there in his camp and informs him that Akbar has ordered to kill Anarkali and Salim says above mentioned dialogue. I fear perhaps this scene has been edited out in coloured version of the film. so those who have seen only small coloured version may not be familiar with the particular scene.
(24) Senapati, ye mitti—- this dialogues comes from Manoj Kumar’s last blockbuster film Kranti. Bharat (Manoj Kumar) says this dialogue to Shashi Kapoor, when both get wounds in a fight and Manoj Kumar reminds him that he too is son of this India and should fight for her freedom rather than to serve english army.
(25) Ab ye baat dharm ke nahin rahee—- this dialogue belongs to Mangal Pande- The rising. Mangal Pande (Aamir Khan) says to his officer and english friend Toby Stephens. Amazing scene and amazing performance by Aamir Khan
(26) Tum agar rangreliya—- this dialogue belongs to Guide. When Waheeda sees her husband indulged in debauchery in forest with another woman and later she reaches in the caves where Kishor Sahu is busy and she just shows her independent and strong avtar to him then she says it and seeing him getting hurt by knowing that she also can love someone other than him. Wonderful scene and shining performances by both Waheeda Rehman and Kishor Sahu.
(38) Puttar jawanee— this belongs to Heer Raanjha and Murad says to Raaj Kumar when his Bhabhiyan complain that he does not do anything than to enjoy loietring and teasing of girls.
(39) Itnee garmee mein— this dialogue was said by Shahrukh Khan in Duplicate when normal SRK acts like his double Manu Dada who is a don.
(40) Matkana chhod de ladki— again from Heer Ranjha, when Raj Kumar becomes a monk and just after the song ye dunia ye mehfil mere kaam ki nahin. In a village he gets a clue that Heer has been married to the chief of thsi village and he reaches there and says above mentioned dialogue to Sonia Sahni, sister in law of Heer.
(43) Aap hamare sar se taj le sakte hain— this is the dialogue said by Nawab Wajid Ali Shah (Amjad Khan) to General Outram( Richard Attenborough) in Shatranj Ke Khiladi of Satyajit Ray.
(47) This singing scene is from Wo Saat Din. Anil Kapur sings the song and praises the music of Laxmikant Pyarelal when Master Raju breaks his concentration and asks but Guru we are not strangers as you are singing.
(48) Sundarta kya hai— This saying is coming from Satyam Shivam Sundaram. In the very beging of the film Raj Kapoor’s naration says this.
(49) Jab shadi shuda log— This is coming from Pati Patni aur woh, Asrani says to Sanjeev Kumar when later asks his help to convince his wife Vida Sinha as she has found him having an affair with his office secy Ranjeeta.
(50) Jab apun ko sharm nahin ata—- Amjad Khan, in his introductory scene, says this to a police inspector in Muddar ka sikandar
(54) Pehlle baat to ye—- this scene belongs to Govind Nihalani’s Ardha Satya. Amrish Puri reaches to Om Puri’s house in Bombay and says this dialogue to him.