Year We Go Again!
wb | Movies | December 30, 2007 at 8:08 pm
“The reels roll.
Colors of yesteryears
bloom again!”
It’s that time of the year again! Bidding adios to the old while you usher the new year in — sure, we’ve stopped having new year’s and have been having recycled years instead, but that’s a different post though — and getting reminiscent about the best of the movies during the year that’s gone by.
Boilerplate Smallprint: In lieu of BF & NS, this is definitely NOT a definitive list – and having not watched *all* the movies of 2007, I am not in a position to make any claims as such.
300
What happens when you take a group of artistes, give them a digital canvas and a box of CGI paints with multiple hues of crimson thrown in? A comic book comes alive — Togas, Sandals, Swords, Battles — an epic is unveiled. Kudos to the unflinching storytelling aptly supported by the technical wizardry, digital blood and real 6-pack abs.
Sivaji
4 states, 4 languages, 400 million people, 1 star, R-A-J-N-I!
Does it matter if the story is cliched? Does it matter if the direction is templated? Does it matter if the style dominates the substance? Hell NO! One of the worst movies made by Shankar, became one of the highest grossers of the year, courtesy Rajni. Enough said.
The Bourne Ultimatum
Lean, mean protagonist; dazzling, lighting-fast camera; kinetic, no-nonsense direction; frenetic pace of the storytelling – grasps you by the jugular and leaves you breathless until the end. The saga that started with the amnesiac flotsam hero ends on the same note with him rising up to life, not unlike a phoenix. Sequels have never been this bewitching.
Chak De! India
India is a land of diversity. And our movies depicted that with help of scenarios where Masterji’s *yateem* son finds *panaah* with some *Faadri* Michael, or Khan saab’s daughter’s *izzat* saved by one Ramu kaka who doesn’t hesitate to *qurbaan* his *jaan* for her. Never before Chak De was the diversity of Indians portrayed on screen — not counting the bonhomie Mile Sur Mera Tumhara and the DD songs as such — where the vast linguistic barriers of the variety of states prevent each other from discovering the common thread in our sense of belongingness. Never before Chak De was the spirit of sport shown on screen — not counting the intelligent Lagaan and other money spinners as such — where the partisanism, favoritism, insecurities, and injustices prevent the players from showcasing their best. The fact that this movie was sponsored by Yash Raj makes it more surprising, more welcome, and more worthy.
Om Shanti Om
Homage! Fromage! Guilty fun, like eating a cheese cake! Spoofs like this are path breaking art pieces – because they hopefully inspire more spoof movies, not unlike Airplane, to be made. Till then, all cool folks rise your hands and say with Farah “Om, Shanti Om”. You go girl!
The Simpsons Movie
Do’h!
Michael Clayton
One of the initial scenes gives you a glimpse of the story to come, a mysteriously emotional moment that haunts you during the film.
Michael Clayton, a high flying attorney, a legal fixer if you may, who has been burning the midnight oil playing a *power* poker game and then talking to a guilty client of his, stops his Benz by the country roads of Westchester. It’s dawn and he sees three majestic looking horses, standing tall and still on a misty hill. Clayton’s wistful looks — as if he desires to break free from the invisible prison sentence of a life to become free, just like those beautiful animals — are windows into his soul.
After Good Night and Good Luck, Syriana, and The Good German, this is yet another Clooney Tune from the man of many faces but one true heart!
No Country For Old Men
Fate defines that randomly destined moment of life where the probability — literally — of your survival depends on the flip of a coin. This principle of deadly abruptness adds color to the vast vistas of Texan deserts, profoundly described by Cormac McCarthy in his tome:
“The raw rock mountains shadowed in the late sun and to the east the shimmering abscissa of the desert plains under a sky where raincurtains hung dark as soot all along the quadrant.”
Trust the Coens to bring these words to life on screen.
Happy Days
A glorified music video by Sekhar Kammula, the talented man who sadly chose to take the easy way out. This movie, however, unfortunately stands tall amidst other insipid fare that the Telugu movie maker midgets chose to dole out this year. Pity!
Taare Zameen Par
Colors. Kites. Innocence. Trauma.
Every viewer (macho men included) is sure to cry like a baby while they’re in Ishaan Awasthi’s audience. Darsheel Safary, Aamir Khan, Amol Gupte – Take a bow guys!!
My favorite scene is the scene where Ishaan attempts solving the math questions the Calvin way (C&H) by going on a heroic galactic mission not unlike the Spaceman Spiff. No one can beat Calvin’s prowess of solving simple math problems in an outrageously advanced way, but Ishaan comes pretty close.
“- You can’t just turn on creativity like a faucet. You have to be in the right mood.
- What mood is that?
- Last-minute panic.”
FINIS.














Anurag Kashyap
Abhay Deol
Dibakar Banerjee
Hansal Mehta
Khalid Mohamed
Kundan Shah
Anish Kuruvilla
Jaideep Verma
Manish Gupta
Navdeep Singh
Bhavani Iyer
D. Santosh
Onir
Ashvin Kumar
Ramu Ramanathan
Sudhir Mishra
Pankaj Advani
Revathy
Saurabh Shukla
Shilpa Shukla
Sujoy Ghosh
Suparn Verma
Santosh Sivan
Shashank Ghosh
Shivajee
Pavan Kaul
Partho Sen-Gupta
Prroshant Naryannan
Sam Langoria
Satish Kasetty











darn wb, no Metro? Persepolis? :-w
Please Add them into the list ..No Smoking..johnny Gaddar..Metro…Pirates of the Caribbean: At World’s End…Live Free or Die Hard..Spider-Man 3..and list goes on my friend …I still feel i have lots to c …
I forgot …Halloween ..Truly great movie by Rob Zombie..Ask him how to cast a devil from a human flesh ..True lives upto his name ..Rob Zombie.
@wb & oz –
don’t know if u caught my earlier comment. I”m back.
Hey, the new logo is really cool:)>-
Happy new year to everyone at P F C
@wb,
One page of your balance sheet of cinematic viewing in 2007 is full of variety, each represents some of its own which can not necessarily be explained and for once rest all in your list can be contained in words but RAJINI is beyond words.
A people’s man and now films have become matter of bonding with people. He is at home with people and now its his interaction and interaction does not demand any kind of grammer, profoundity. Its just heart to heart connection. Its sharing with each other and Rajini’s prseent phase is good example of that. We are watching this phase and coming generation may exclaim when will see his films that why he was such a hugely popular star. But we are able to see that he is. Events happen and its not always that so called intelligentia can explain everything about those events.
And how different he is on screen from his real persona.
As an actor, his name always remind Taxi Driver of Chalbaaz, enjoying the foreplay before starting drinking, he is singing and dancing and is filled with joy “Aaj Sunday hai, he stops and gives expressions of joy on his face and continue further “To aaj daru peene ka day hai”.
and when he asks Sridevi,” Tere ko Daru peene ka hai ki nahin”
and in Dalpati, dancing in complete white dress.
He enjoys completely what he does and it brings his complete involvement and hence he can connect with audience on a level.
and when recall real Rajini then image of a very good and genuine person comes before eyes and it justifies why he resides in heart of millions of people.
Oz// Persipolis is eagerly awaited down under, bhai.
Rajesh// Read the small print :-)
dabba// welcome back.
arun prakash// Thanks. That logo was a new years gift from a pfc lover.
RK// Thanks for your kind words brother. About Rajni, yes, he is only star whose charisma defies the box office rules, because of his persona. His philanthropism aside, he is a genuine human being, and a true superstar.
I think (after NTR and Jitendra) he is the one star, at present, who can perhaps do 100% justice when playing both aged and young characters. Just between two of us, I often wonder how amazingly different the output would have been, had Rajni played the Indian in that Shankar’s movie.
As far as Hindi movies go, his roles (except for Andhaa Kaanoon, Uttar Dakshin and may be Aatank hi Aatank) have been mere screen fillers. I sometimes think that industry people in Bombay may have seen him as poor man’s Shotgun, his cigarette throwing antics and all.
In spite of all its illogicisms and loopholes I’ve loved Sivaji and I am looking forward to catching Sultan in 2008.